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You see, it was through these documented outings that we got a glimpse of who the legends were as people. Via unexpected pairings and accessorizing accents, there’s a special kind of covert communication embedded in this sartorial self-expression. Here, FASHION breaks down the greatest street style hits of the ’90s supermodels — and how to recreate them.

Linda Evangelista

Thanks to her chameleon-catwalk abilities, Linda Evangelista holds a self-assured legacy in the supermodel sphere. “We don’t wake up for less than $10,000 a day,” she once famously uttered. The above picture — which shows her the Gianni Versace boutique in 1990 — surely explains why. The playful riff on power suiting is both glamorous and laid back, and it oozes know-your-worth confidence.

Uniqlo Pleated Wide Pants

Fitted at the waist with just enough slouch through the legs, these pleated trousers are the coziest way to emulate high-fashion street style. With a high-waisted cut, they can be easily styled with any cropped blouse or blazer. Plus, their elastic waistband is strategically hidden for a breathable wearer experience and a sleek aesthetic finish.

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Veronica Beard Nevis Cropped Jacket

Crafted with high-quality wool, this lightweight structured blazer is a transitional saving grace because of its styling versatility. Keeping with the Linda Evangelista ‘90s ensemble, it offers retro power shoulders and strong, sharp collars. The cropped length adds a cheeky playfulness for the ideal street style nonchalance.

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Ritoper Wide Headband

ICYMI, we’re in a headband renaissance. As luck would have it, Linda Evangelista’s athleisure hair accessory is the ultimate source of inspiration. Follow her lead with this 10-pack of non-slip black bands that are intended for all-day wear and every hair type, from textured curls to straightened strands. Not to mention, they’re crafted not to cause headaches. Because the first step in having a good time is getting your hair out of your face.

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Naomi Campbell

There’s a reason Naomi Campbell lives on basically everyone’s moodboard. From her captivating runway walk to her rumoured fashion feuds, the British model’s presence in the fashion sphere was never lacking personality. Pictured here on her way to an industry party in New York City, the ’90s legend opted for an all-white ensemble with individualized touches via chunky gold jewellery.

Allora Mini Dress

Similar to Campbell’s monochrome moment, the beauty of a crisp white mini dress is the possibilities it brings. Wear it with an unnecessary belt, layer on some fringe à la Naomi or keep it minimal for the Sofia Richie effect. Pro tip: Keep a crisp white button-up on hand to keep the chill off, and also, as an unexpected dupe in lieu of a handbag.

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Jenny Bird Walter Bracelet

As evidenced by Campbell, the chain-link bracelet is a chic outfit final touch. Both industrial and elegant, it elevates a simple ensemble by mixing masculine and feminine finishes. This gold polished piece by Jenny Bird encapsulates that magic. With an easy magnetic closure, the bold bangle sits comfortably on your wrist and can be worn on its own or layered with other statement pieces, like thick rings and pearlescent earrings.

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Christy Turlington

The magic of this look is that it is simultaneously so simple yet so good. Here, Christy Turlington makes the case for relaxed ‘90s cuts, gives a lesson in fall layering and offers inspiration for channelling your inner whimsigoth (the nostalgic TikTok-born aesthetic comprising cardigans, flowy maxi skirts and saturated tones). Seen on her way to a runway show at New York Fashion Week in 1993, her ludicrously capacious bag and glossy boots exude expert street style prowess.

Aritzia Babaton Monocle Shirt

Cut from buttery satin, this long-sleeved button-up blouse is a flowy favourite thanks to its laid-back fit and business-minded collar. Made from recycled materials and available in six colours, it’s a staple for the autumnal days in which you don’t want to think too hard when getting dressed. Take a page from Christy’s book and style it with billowy bottoms for loose and clean-cut silhouette.

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Sundry Long Relaxed Slit Skirt

A cozier take on Christy Turlington’s maxi, this ribbed cotton skirt epitomizes comfort-meets-chic dressing. Sundry specializes in refined weekend wear with a French fashion flare, and this piece is no exception. With its asymmetrical hem and soft side slit, the pull-on piece promises a polished final look.

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Sojos Classic Aviators

Sunglasses add a boost of intentionality to an otherwise low-maintenance outfit. In the above picture, aviators elevate Christy Turlington’s on-the-go ensemble. This vintage-inspired pair by Sojos has metal frames that bring the same retro charm with polarized lenses that help protect against harmful UV rays.

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Cindy Crawford

Putting a cool girl spin on traditional workwear is kind of Cindy Crawford’s calling card. Off the runway, the supermodel was known for her love of oversized leather jackets, worn both with Levi’s high-waisted jeans and mini skirts. In the above picture — taken in the Winter of 1990 — she paired the key piece with a turtleneck, a preppy tube skirt and a pair of sheer tights.

Frame Single-Breasted Leather Blazer

Toughened leather meets refined suiting with this oversized lambskin blazer. The single-breasted garment has a softly cinched waist for a statement silhouette that complements cold-weather outfits without completely concealing them. Wear it open with a skirt-and-shirt combo à la Cindy, or size-up and button it closed for a blazer-dress moment.

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Kotn Fitted Turtle Neck

Crafted from Egyptian cotton, Kotn’s fan-favourite turtleneck is soft and stretchy, thus hugging your curves without feeling restrictive. Wear it on its own on a crisp autumnal day or make like Cindy Crawford and pair it with a durable jacket for extra insulation. With five colours to choose from, it’s a fool-proof piece to add to your wardrobe rotation.

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Staud Annette Skirt

Reminiscent of Crawford’s striped skirt, this pinstripe print adds an air of playful prep to the archetypal mini skirt. With two front buttons and a hidden zip at the back, it puts a cheeky riff on classic corporate attire. Made with a lightweight stretchy fabric, it can be easily layered atop thin sheer hosiery or thicker tights on chillier days.

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The post The Most Iconic ’90s Supermodel Street Style Looks appeared first on FASHION Magazine.

RELATED: The Street Style at London Fashion Week Is a Total Delight

Ashish’s bedazzled collection (below) was a dreamy escape with models from all walks of life, thus showcasing that fantastical clothing is for everyone. Erdem’s upcycled runway, helmed by Canadian-born designer Erdem Moralioğlu, championed a mix-and-match aesthetic of textiles pulled from historic archives. Standout shows thoughtfully explore the intricacies of the everyday — from love and loss to inside jokes and identity experimentation. One thing’s for sure: There was no shortage of creativity on the catwalk.

Below, FASHION outlines the most noteworthy presentations at London Fashion Week spring 2024.

Simone Rocha: Coming up roses

Picture this: Florals for spring — but it actually is groundbreaking. Leave it to Simone Rocha, the designer known for fanciful frothy creations, who put a fresh spin on the sartorial stereotype with bouquets of roses nestled under flowy mesh ensembles. Romance exuded her collection — with oversized fabric rosettes, bows trailing from mini-dresses, and an array of signature Rocha ruffles, tulle and lace. There was also a focus on bridal extravagance, via pearl-adorned white Crocs and a deliciously decorated wedding cake bag. Embellished fantasy has become Rocha’s calling card, and with the news that she will be Jean Paul Gaultier’s next guest couturier, there’s certainly more in store.

Burberry: In the trenches

For his sophomore season as creative director of the legendary British fashion house, Daniel Lee took cues from the classics and then changed things up. Guests gathered under a tartan-emblazoned tent in north London, hot water bottles were party favours, and the iconic archetypal Burberry trench was reimagined. Models wore tailored coats with low-slung belts, busy patterns, and, on occasion, toughened leather silhouettes sans sleeves. There was a throughline of Burberry Blue, be it through sunglass rims, shoe adornments or solid-coloured coats — all of which stood out against the severely dark lipstick that reigned supreme. With his second runway show, Daniel Lee brought elevated innovation and a bit of grunge to the next era of the brand, while still honouring the Britishness of Burberry.

JW Anderson: Clay clothing

Fashion takes itself all too seriously sometimes. This is the idea designer Johnathan Anderson poked fun of for his London Fashion Week Spring 2024 collection, wherein he aimed to put “playfulness in pragmatism.” First up, an assortment of outfits that looked as though they were moulded from Play-Doh — and they kind of were. Made using plasticine, a British brand of modelling clay, the designs were bumpy, stiff and wonderfully wonky, thus emulating a life-size version of a toddler’s play-time final product. Ostensibly having helium on his mind, he also sent inflated separates down the runway, a natural extension of his plastic fish bag mini-dress from last year. There were more wearable pieces too, from satin voluminous cargo pants to big structured blazers. But overall, the mood was weird, a little uncomfortable, and quite a bit confusing. Well played.

Di Petsa: Mirror mirror

No one is doing sartorial sensuality quite like Di Petsa. The London-based label is known for employing size-inclusive runways to showcase its sexy “wet look” dresses. This season, designer Dimitra Petsa drew inspiration from the Goddess of Love Venus — also known as Aphrodite. The collection featured her signature damp-like draping, with ornamental add-ons like gemstone embellishments and metallic fabrics. As for the aforementioned theme of love? That was front and centre when select models walked the runway mesmerized by their own reflections in hand-held mirrors. Sometimes the best infatuation is the kind you have with yourself.

Richard Quinn: The circle of life

Held in a grand London ballroom, Richard Quinn’s Spring 2024 show was an ornate ode to the eponymous designer’s late father, who recently passed away. True to Quinn’s signatures, the show was full of opulent embellishments, from abundant florals to detailed lace. The line took on a contemplative tone with regal opera gloves, exaggerated collars, and cage dresses in both grievous blacks and airy off-whites. While marking a loss, there was a sense of hope via playful proportions and polished statement bows. Canadian supermodel (and FASHION September 2023 cover star) Jessica Stam closed the show in a shimmery bridal jumpsuit, so as to say, life is full of loss — but it’s also full of love.

Chopova Lowena: Two is better than one

In an era of internet subcultures, it can feel as though opposing ends of the style spectrum are never meant to mix. A regencycore enthusiast sharing clothes with a gothic girlie? Inconceivable! Well, not according to Emma Chopova and Laura Lowena-Irons, who merged toughened skater culture with frilly folkloric imagery for their Spring 2024 show at London Fashion Week. Think studded black dresses with puffed white collars, heavy trenches with delicate frilly socks, and a fishnet top paired with a billowing layered white skirt. The result is a sort of medieval edge-Lord who transcends all aesthetic associations. It’s unexpected, clever, and pretty hilarious. And in the age of TikTok, it just might become its own kind of “core.”

The post Burberry’s New Era + Other Standout Moments From London Fashion Week appeared first on FASHION Magazine.

RELATED: Julia Fox Is a Campy Bride + Other Standout Moments From NYFW

Said person makes the most of things. They embrace mild sunburns and hair-ruining rain storms. They can find their own fun, be it through imaginative rhinestone appliqués or reused ribbon accessories. This season, the best beauty looks focused on accessible playfulness. FASHION listed them all below, along with some tips from the experts.

Deliberately drenched

Caught in a storm on your way to something fabulous? Fret not! The sleek “wet” look has been going strong for a while. But this season, the damp hairstyle reached new levels by, well, getting messy. At Jason Wu, models were meant to appear as though they had just emerged from a shipwreck. “The idea is that the woman had her hair all done and then it got soaking wet — so it’s destroyed,” explains celebrity hairstylist Jimmy Paul backstage on a grey, rainy day. “But what’s left, in fact, might be even more beautiful than how it started.” Achieving the style is similarly chaotic. After wetting the models’ hair, Paul scrunched TreSemmé Mega Control Hair Gel throughout, before finishing with the brand’s Keratin Smooth Shine Serum. To add long-lasting texture, he generously applied mousse and locked it all in with hairspray. “It should look effortless, easy and like an afterthought,” he says. “Like it took two seconds.”

Futuristic French tips

Sure, it’s got its critics, but the French mani remains a classic because it can be constantly reinvented. This season, the two-toned template had an avant-garde flair, from embroidered tips at PatBO to red dipped ends at Alice + Olivia. The most eye-catching iteration was the chrome finish at Prabal Gurung (above), courtesy of lead nail designer Gina Edwards. Using KISS Bare but Better Nails as a base, Edwards and her team applied silver or gold gel onto nails for a dripping three-dimensional effect. “With a metallic half-and-half nail, you could carry it through from day to night,” she says, adding that gold and silver do in fact go well together. “Metallics are great all year round.” To recreate the stylistic finish, Edwards suggests using the nude press-ons and applying “a little freeform action at the tip” with a gold polish. The less uniform it looks, the better.

Health is wealth

Move over, alien brows and heavily contoured cheekbones — au natural is in. Think: that glistening post-run flush and those soft, sun-induced freckles. At Proenza Schouler and Ulla Johnson, fresh-faced models graced the runways with dewy Hailey Bieber-esque skin. At Staud, where models had subtly sunburnt cheeks, makeup artist Romy Soleimani was inspired by effortlessly cool ’90s editorials like those of Calvin Klein. “It shouldn’t feel like makeup, it should just feel like skin that has a little tint of warmth to it,” she says backstage. She used Bobbi Brown’s Vitamin Enriched Pressed Finishing Powder to add a fine “veil” of blush. “We’re trying to mimic real health. Like, you exercise, you’re fresh…It’s optimistic,” Soleimani shares. “Coming off of the pandemic, it’s great to evoke health even more.”

Save your ribbons!

To those who can never bear to throw away the satin sashes that wrap up pretty packages: Your time has come. These decorative DIY embellishments reigned supreme at New York Fashion Week. Collina Strada showed whimsical strands wrapped around long gauzy strips, while Alice + Olivia had polished bows affixed to elegant buns. Christian Siriano took this trend to new levels, with a “corset braid” courtesy of Unilever stylist and celebrity hair artist Lacy Redway. She describes the tightly wrapped strands as a put-together spin on the “clean girl” aesthetic, fitting for a “ballerina fairy who twirls down the runway.” (Pro tip: Prep the hair with mousse before you begin braiding.) From floral arrangements to intricate updos, the humble ribbon goes with anything.

Severely sharp lines

To borrow an old proverb (er, Taylor Swift lyric), the mood at New York Fashion Week was about drawing cat eyes sharp enough to kill. Runways relished in the sensual style by pairing graphic eyeliner with minimal skin makeup. At Khaite, punky blunt slashes were painted under the brow. At Helmut Lang, eyelids had extended liners in jet black, bright white and vibrant yellow. Cat eyes went futuristic at LaQuan Smith, where Lancôme global international makeup artist Sheika Daley drew two nearly connecting lines from the waterline and inner corner. “We’re leaving a little bit of negative space on the inside to create a beautiful halo effect,” she explains.

Rhinestone reverence

Photography by VICTORIA HUERTA for Dauphinette

Photography by Diane Bondareff for KISS Nails

Photography by VICTORIA HUERTA for Dauphinette

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The easiest way to infuse drama into any look? Add a little bling. Rhinestones adorned updos and eyeshadow at Dauphinette. Stick-on jewels were applied to faces and fingers at Sandy Liang. And gemstones reigned supreme at The Blonds, from beaded middle parts to ornamental acrylics. “[We were] thinking about that feeling of whimsy, fantasy and [living] a dream life,” says celeb nail artist Juan Alvear, who layered on acrylics for the claw-like effect. Off the runway, recreating these embellishments is surprisingly attainable. To play off his nail art, Alvear recommends using nude press-ons as a base and applying KISS Nail Art Rhinestones as you wish. Reckless abandon is good, actually!

This article contains affiliate links, so we may earn a small commission when you make a purchase through links on our site at no additional cost to you.

The post The Biggest Beauty Trends From NYFW Spring 2024 appeared first on FASHION Magazine.

RELATED: The Coolest Street Style Looks at New York Fashion Week

Throughout the week, there were several stunts — both intentional and unwanted. At Elena Velez, a pre-planned disaster found models wrestling in piles of mud, thus ruining their clothes and sparking debate about how much spectacle is too much.

At Coach, PETA members crashed the walkway to protest leather, which Vogue called “strange” since the brand has been prioritizing upcycled and regenerated materials.

But the most heartwarming events focused on craftsmanship. Indigenous designer Justin Jacob Louis debuted his namesake gender-inclusive label with a vibrant runway presentation. Heritage luxury luggage brand Rimowa launched an interactive display to mark its 125th anniversary. From emerging and established talent alike, a sense of excitement radiated through the mayhem. And really, what’s more New York than that?

Here’s everything to know about the most noteworthy moments at New York Fashion Week Spring 2024.

Tiffany & Co.: Breakfast at Tiffany’s

Is any costume as timeless as Audrey Hepburn’s ensemble in Breakfast at Tiffany’s? The oeuvre of the ingenue in a black Givenchy dress and a stack of opulent pearls has been endlessly referenced. But when Tiffany & Co. previewed its Blue Book 2023: Out of the Blue collection in partnership with Givenchy haute couture, this image practically came to life. At the newly renovated Landmark on Fifth Avenue, models sauntered in statement jewels and equally exquisite gowns. Inspired by fantastical interpretations of the sea, the collection’s themes span glistening shells, coral and starfish. And with the addition of thick black sunglasses and beehive updos, many looks evoked a modern-day Holly Golightly peering through the Tiffany store windows.

Helmut Lang: Peter Do’s polarizing debut

In the ’90s, Helmut Lang pioneered a gritty aesthetic of androgynous BDSM-infused sexiness. So when it was announced that modernist designer Peter Do would be showcasing his first collection as the house’s creative director in September, it quickly became a highly anticipated event. Held at the top of the week, the show was an undeniable ode to Lang, replete with bondage-accented suits, ruched T-shirts and an array of subversive basics. Some said it borrowed too much from Lang’s legacy and that Do wrongly played things safe at a label known for disruption. Others praised Do’s reimagined take on the storied brand. One thing’s for sure: He has our attention.

Wiederhoeft: Phantom of the Opera

Unlike many viral antics, designer Jackson Wiederhoeft conjures stunts that actually complement his clothing. For his latest show — “Night Terror At The Opera” — he crafted a deliciously unsettling three-act performance inside a dimly-lit theatre. Struts were exaggerated and satirical, while dramatic side skits showed models laughing at the audience and bickering with each other. It felt extremely a propos for a collection of intense corseting, campy colourful proportions, and intricate tear-drop gem embellishments. To top it off, Julia Fox was the archetypal Wiederhoeft woman, sitting front row in a severely cinched bridal mini dress, a floor-grazing ruffled-hemmed veil, and dark horror movie makeup. Encore!

COS: Got you covered

Often, the best kind of fashion involves finding new ways to answer age-old questions. For its Autumn/Winter 2023 collection, COS took on the conundrum of cold-weather dressing. Set against a rich brown runway, models walked between two winding metallic walls that reflected the sunset for a stylistic cityscape. Wearing chic sweater dresses, shearling coats, and slinky maxi-skirt sets, their outfits emphasized effortless weather-proof wearability. Scarves were swathed into belted dresses, and sweaters hung from cozy balaclavas. Above all, COS offered the magic rarity of clothes on a runway that actually feel real.

Ralph Lauren: Welcome to New York

Ralph Lauren’s post-pandemic absence from New York Fashion Week has felt like an indication of the industry’s present-day precarity. The quintessential NYC brand is a staple of Americana fashion, thanks to codes like preppy polos and Western jeans. So to mark its first time back in the city’s runway circuit since 2019, these celebrated emblems were turned up a notch. The show drew a star-studded guest list from Jennifer Lopez to Diane Keaton, with key looks including acid-wash denim, fringe galore and metallic evening gowns. One particularly striking golden dress was modelled by ’90s supermodel Christy Turlington. Perfectly fitting for a theme of lasting legends.

Proenza Schouler: Elevated essentials

In an industry cluttered with clickbait, design duo Jack McCollough and Lazaro Hernandez take the winning approach of sobering nonchalance. For their Spring 2024 collection, they showed once again how uncomplicated clothing doesn’t have to be boring. Alongside brand staples like tailored suiting, there was a playful effortlessness via free-flowing fishnet dresses, sequined skirts and colourful layered gauzy garments. The crowd was full of 2023 style icons — from Sofia Richie to Pamela Anderson — proving that Proenza Schouler’s practical message is cooler than ever. The collection further drove this point home by premiering its first-ever “PS” monogram.

LaQuan Smith: Where’s the party?

Leave it to designer LaQuan Smith to throw a fashion fête. “I always try to remember that the LaQuan Smith woman is on her way to something fabulous,” he told Vogue of his latest collection. Fittingly, his catwalk felt like a makeshift nightclub, with models parading down a red-lit runway in intensely bright sets. From sharp-cropped jackets with no pants to nipple-baring sheer tops with baggy metallic cargo slacks, the celeb-favourite brand took its sexy sensibilities to new experimental heights. Still, there’s a lesson to be learned. The first step in having a good time? Dress like one.

Michael Kors: Celebrity Central

People watchers, this one’s for you. The front row of Michael Kors’ riverfront runway was stacked with A-listers who came to see the designer’s vacation-inspired collection. Blake Lively wore a gilded pantsuit. Vanessa Hudgens donned a monochromatic caped look. Halle Berry stunned in a double-slitted dress. On the runway, garments exuded a sense of escapist ease, spanning floral lacy separates and breezy caftans. With stars like Tiffany Haddish, Olivia Wilde and Ellen Pompeo looking on, the affair was pure Tomato Girl aspiration.

The post Julia Fox Is a Campy Bride + Other Standout Moments From NYFW appeared first on FASHION Magazine.

RELATED: Red Accessories Are the Key to Fall Dressing

“I think the idea of having office wear or home wear or weekend wear is gone. It’s all blended into one,” she says at a press event on a sunny afternoon in Paris. The British artistic director — whose resume includes helming Chloé and Givenchy as well as designing Meghan Markle’s wedding dress — is here to discuss her new womenswear label with Uniqlo, entitled Uniqlo: C. (“C” for chic, casual, commuting, and yes, Clare.)

The colourful 30-piece capsule collection is meant to take you from the couch to the city, with key pieces like wrinkle-proof pleated skirts, all-season oversized trenches, and pullover sweaters that can be layered with ease. Waight Keller looks sartorially serene, sporting the line’s billowing Printed Chiffon Pleated Dress (which retails at a palatable $79.90). “The dress I’m wearing has strings so that you can bring it in and out. The skirts have elastic bands. Everything has a sense of movement and softness to it,” she explains. These intentional subtleties are a styling saving grace, and they’ve become her calling card.

When the aforementioned Duchess of Sussex emerged in a design by Waight Keller for her 2018 wedding, she was not in a traditional ruffle-adorned royal frock but a minimalist gown with sobering clean lines. Waight Keller established a similarly refined legacy at Chloé from 2011 to 2017, where she championed romantic fluidity with boyish tailoring. As the first female creative director at Givenchy until 2020, she redirected the label’s gothic sexiness into a realm of feminine elegance. Now, this luxury philosophy has gone global. “Femininity is something that I’ve always had in my work… and I felt that that was something that I could bring to Uniqlo that speaks to my world and my vision,” she says.

With other collaborations like Marni, JW Anderson and Jil Sander under its belt, the Japanese retailer has been secretly working with Clare Waight Keller for the past two years on this release. Rooted in the ever-evolving idea of the “modern woman,” the label exudes a mix-and-match versatility that, in today’s getting-dressed landscape, is more valuable than ever.

Ahead of its release on September 15, FASHION spoke with Clare Waight Keller about the inspirations behind Uniqlo C, the power of calmness, and what a “modern woman” looks like in 2023.

A focus of this collection is curating an “effortless” wardrobe. What do you see as some of the challenges women face when getting dressed, and how do you address them with Uniqlo C?

[There are] lots of challenges in getting dressed today. When you imagine how life has changed now that everyone is working via their phones, from home or going to the office, we’re all operating in so many different dimensions… You need clothes that look chic but are comfortable enough to wear at home, to commute to the office, or even to travel. I’m constantly travelling now, so I need clothes which can be packed easily. All of these aspects of multifunctionality have been a part of creating this capsule.

How does this collection borrow from your previous roles at the helm of luxury brands?

A lot of the details that are in the collection have been signatures in my previous roles. At Chloé, I used a lot of fluidity and pleats. So I worked quite carefully over a long period of time with them because pleats are not a typical fabric texture that [Uniqlo works] with. Finding the right fabric that could do the pleating, do the micro-pleating, and have drawstrings… it took several tries to get it right. There were all these details that I had prior experience and knowledge of from working in France that I was able to bring to them in Tokyo.

The fluidity of the collection evokes a sense of serenity. You’ve been described as calm by your industry peers. How does that trait inform your design process?

It’s true. I mean, I think that’s what everyone’s looking for in their lives, actually. You want to be able to open your wardrobe doors and think, “OK, I could put that with that. Or, today, I want to add that with that.” The most challenging thing for women is that there’s so much choice out there that sometimes it’s quite difficult to get dressed in the morning. There’s also this sense of being very self-conscious. I wanted the idea of effortlessness… For me, it’s a lot about feeling and emotion when you get dressed. Sometimes you feel good, and sometimes you don’t, because those are the ups and downs of being a woman who’s working and who has many things going on in her life. So if clothes can help, then that’s an amazing asset.

While there’s a focus on femininity, there’s also a sense of androgyny via boyish-cut trousers and boyfriend pullovers. Why was that important for you to have?

That kind of crossover mix has always been part of my DNA and aesthetic. In my past working in menswear, I just loved having that slight rigour of the men’s tailoring to contrast with femininity. I also think it looks really modern on a woman to be able to have that kind of boyish blazer over a skirt. It just feels fresh, and I think it gives a lot of different aspects to your wardrobe. You can dress it in different ways but still feel feminine.

It’s refreshing to see menswear elements as pillars of a collection that emphasizes the “modern woman.” It seems like this image is very much tied to gender fluidity.

It is. Ever since I put the announcement post up on Instagram, I’ve had a lot of men sending messages saying, “When can I wear men’s?” or, “Can I wear the collection?” The interesting part is that a lot of what I’ve designed has been boxy or oversized. So by buying a few sizes up, anyone could wear it, which is really nice.

This interview has been edited and condensed for clarity. 

This article contains affiliate links, so we may earn a small commission when you make a purchase through links on our site at no additional cost to you.

The post Clare Waight Keller and Uniqlo Tackle the Art of Getting Dressed appeared first on FASHION Magazine.

Stop everything: Hailey and Justin Bieber left the house looking like they’re attending the same event. Perhaps in response to the social media criticism over their very mismatched looks for Hailey’s Rhode Strawberry Glaze promotional tour, the couple have surprisingly sported two very rare complementary outfits in the days since.

First, the Biebers were spotted in a matching leather jacket moment sitting courtside at a 2023 U.S. Open Tennis Championship game on September 1. While their oversized black jackets and simple white tank tops where in sync, they showcased their individual styles with the rest of their outfits. Hailey paired the look with a white mini-dress and her signature “B” pendant necklace, while Justin played up his outfit with statement accessories like a backwards polka-dot baseball hat and pink Loewe balloon unglasses.

If their complementary tennis looks weren’t enough to prove that the couple were on the same page style-wise, they sported even more matchy outfits on September 5. Two coordinated looks in the same week may be a new record for the couple! Stepping out for a date night, the Biebers wore loose-fitting denim, tight white tanks and oversized leather jackets. The biggest differences once again came down to the accessories, with Justin wearing a backwards cap and sneakers while Hailey opted for narrow shades and black Chanel loafers, which she paired with white socks for a preppy vibe.

 

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RELATED: Hailey Bieber’s Most Stylish Looks of 2023 (So Far)

It must be hard to be a celebrity in a relationship, no? Your dating timeline is basically public knowledge. Slightly humiliating monikers like “Bennifer” and “Tay-Squared” are unavoidable. And your street style as a couple is treated as a marker of your compatibility. But Hailey and Justin Bieber — in all their mismatched glory — don’t seem phased by this.

The A-list couple, who tied the knot in 2018, are frequently photographed out and about looking like they’re headed to entirely different functions. Hailey leans form-fitting and polished, while Justin is reliably dressed down and baggy. It’s almost as if they purposely skew as far as they can from one another when getting dressed. And you know what? It works.

Case in point: The pair is currently in New York City, and their sartorial contradictions are on full display. While out and about to promote Rhode’s latest launch — the Strawberry Glaze flavoured Lip Peptide Treatment — Hailey Bieber went all out in a fiery red structured mini-dress with monochromatic heels and a matching bag. As for Justin? A grey sweatsuit set, a backwards baseball cap and a pair of yellow Crocs.

A month earlier, the married duo were spotted leaving a restaurant in similarly contrasting clothing. Hailey sported a summery white mini-dress with a tasteful asymmetrical collarbone cut-out, while Justin wore XL jeans, a half-zipped hoodie and yet another baseball cap. See a theme?

On a May 10 dinner date, Hailey went full Matrix fashion in a leather maxi and bralette with pointed heels. Justin, on the other hand, wore a white tank, low-slung jeans and worker boots. This seems not like a simple vibe difference, but a deeper commitment to being so visually contrary that the untrained eye would think, “Hm, I wonder why these two strangers are holding hands.”

Said dress code conundrum was the case yet again on a date night in April. Hailey’s ensemble? Pointed-toe heels, chic sheer tights and a halter LBD. Justin’s? Sweatshirt, baseball cap, and slides, if we’re being generous (but slippers if we’re being serious).

It was the same deal in the winter, at the grand opening of OBB Studios in Los Angeles. Mrs. Bieber was decked out in Schiaparelli couture with gold accessories, while her husband was in paint-stained jeans, a Drew House sweater and a pink beanie.

At this point, this sort of outright outfitting confusion is part of the couple’s style DNA. Historians will tell you that back in 2021, on a much-publicized outing in Paris, Hailey Bieber dazzled in a pink Miu Miu cocktail dress while Justin donned a slouchy red hoodie. Moral of the story? They almost never look in sync, and maybe that’s the point.

The garments worn by Hollywood couples tend to be taken as symbols of synchronicity. Tom Holland has a “Z” emblazoned on certain pairs of pants, which fans speculate is an understated ode to Zendaya. More alarmingly, Machine Gun Kelly accessorized with a vial of Megan Fox’s blood around his neck during their courtship. But Hailey and Justin Bieber take a decidedly different approach: dedicated inconsistency. Olivia Broussard (@olivialayne6) recently went viral on TikTok pointing out this phenomenon. “Is one of them overdressed or is the other one underdressed?” Broussard mused, flashing a series of photos of the duo on screen. “I cannot tell by looking at these outfits.”

There are, as with everything in life, exceptions to this pattern. Sometimes, the Biebers will appear delightfully harmonious. Take an April outing in L.A., where they both sported baggy jeans, a staple of low-effort, versatile dressing. Hailey completed her look with kitten heels and a crop top, while Justin went for a hoodie and sneakers. Here, despite their differences, the pair were decidedly in equilibrium. But this is not usually the case.

More often than not, Hailey is dressed to the nines while Justin looks unbothered and relaxed. She’ll wear a luxe Saint Laurent fur coat, and he’ll be in bug-eye sunnies and patterns layered with reckless abandon. For them, that’s normal. And sure, it’s a little jarring. She’s giving high-fashion, he’s giving Adam Sandler with a jar of pickles. But perhaps their drastically different dressing methods signal two partners that are secure in their relationship. They’re wearing what they want, and not judging one another for it.

What’s the purpose of painstakingly coordinating with your significant other, anyhow? To present an image of unity to the world? To convince onlookers that you’re on the same page? The Biebers, and all their incongruous outfits, take this notion and flip it on its head. What’s next for these two and their contrasting street styles? I’m not sure. But in all likelihood, nothing will make sense. And I’ll love it.

With files from Stephanie Davoli

The post Hailey and Justin Bieber Broke Their Mismatched Outfit Streak appeared first on FASHION Magazine.

RELATED: Kendall Jenner’s Best Style Moments

With a taste for refined silhouettes and clean-cut tailoring, Amal Clooney is an expert at curating retro-leaning ensembles. Though she has a penchant for 1960s designs, her references span decades — from flapper-inspired ’fits to 2000s-era couture. Each time, these looks are accessorized to perfection for a fresh modern spin on otherwise classic oeuvres. And with a crisply-dressed George as her complementary plus-one, Amal Clooney shines when serving sartorial history lessons. Below, FASHION rounded up her best vintage-inspired looks yet.

The 1960s mini-dress moment

The 2023 Venice Film Festival kicked off on August 30, and a day earlier, Amal Clooney arrived in the Italian city in true vintage style. Sporting sheer slingbacks (a.k.a. an elevated take on trending mesh flats) and a matching black handbag, her floral-printed shift stood out as a nod to 1960s-era mini-dresses. With its minimalist detailing, the archetypal shift dress de-emphasizes the waist for a structured look that is both comfortable and chic. What better getup to kick off a notoriously hectic festival?

The nineties bridal look

 

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Earlier this summer, Amal Clooney put a vintage spin on the minimalist bridalwear mood of the moment — sans wedding, of course. On a dinner date with her husband of eight years in Lake Como, Italy (where the couple share a summer house — NBD), the philanthropist was spotted in a gauzy slip dress from the spring/summer 1999 Christian Dior by John Galliano collection. With ever-so-subtle lace embroidery and dainty ruffled detailing, it honed in on the sophisticated simplicity of nineties-era going-out clothes.

The 1920s-inspired eveningwear

Flapper fashion, but make it Versace. This is the energy Amal Clooney brought to the 2022 Albie Awards — an event established by the Clooney Foundation to honour “courageous defenders of justice” across the globe. Designed by Donatella Versace specifically for the occasion, the gold fringe gown was dripping in intricate gilded embellishments. She finished the look with voluminous side-part waves and a bold red lip for an all-around retro mood. The best part? Flappers are famous for pushing back on unfair societal constraints. So for an affair celebrating just that, this reference feels all the more right.

The impressive archival pull

What exactly does one wear to spend an evening with the royals? For Amal Clooney, the decision seems easy. At the Prince’s Trust dinner in 2019, she donned a one-shouldered Jean-Louis Scherrer by Stephane Rolland gown, sourced from the luxury boutique William Vintage. The (haute couture!) ensemble came from the designer’s 2007 collection and featured an asymmetrical cascading cape. Paired with a box clutch and side-swept soft curls, the ensemble captured the essence of Old Hollywood glamour.

The retro career uniform

In April 2022, two months after Russia invaded Ukraine, Amal Clooney visited the United Nations in New York to advocate for war victims wearing a decidedly to-the-point ensemble. Her look of choice? A vintage Christian Dior polka dot skirt set. The top flared into a subtle peplum silhouette, while the pencil skirt hit slightly above the knees. It’s an outfit she previously wore when speaking at the Supreme Court in London in 2015. With the addition of large ’60s sunglasses this time around, the ensemble felt like a vestiary acknowledgement of the 1960s working woman image.

The mod maternity outing

While pregnant in 2017, Amal Clooney put a refined retro spin on the coveted French Girl style. The star stepped out in Paris wearing a crisp ivory dress-and-coat set adorned with sharp black square-shaped piping. The look — sourced from William Vintage — reportedly dates back to 1965 and appears reminiscent of the fashion icons of that era. It’s breathable, smart, and perhaps her most classically vintage serve yet.

The post No One Does Vintage Fashion Like Amal Clooney appeared first on FASHION Magazine.

RELATED: The Power of a Baby Tee

Somewhere in the early aughts abyss — nestled snuggly between velour tracksuits and the dress-over-pants trends — the Y2K belt has lived on vaguely in the cultural consciousness. As a staple of new-millennium celebrity style, it took many forms. The decade saw a scarf fastened around Kelly Clarkson’s hips, a thick leather belt atop Beyoncé’s low-slung pants, and a slew of oversized monstrosities accentuating Kim Kardashian’s waist. The world arguably hit peak unnecessary belt in 2002, when Carrie Bradshaw sported a green buckled band around her bare (?) waist. These belts were confusing, random, and an apt representation of the era’s chaotic approach to accessorizing. And now, they’re having a renaissance.

All summer long, needless belts have been re-appearing — and we have the runways to thank. At Tory Burch’s Spring 2023 show, slinky belts were used as card-holder straps. On Blumarine’s Fall 2023 catwalk, thick statement belts were paired with ultra-miniskirts. And in recent weeks, the TikTok algorithm has been serving up an aesthetic mishmash of superfluous belted ensembles. There are big chunky belts worn atop spandex shorts. We have slinky chain link belts placed over tank tops. Some users are event styling them with body-con summer slips and lacy bridal skirts. While these tap into quintessential Y2K aesthetics, the trend has also been modernized for 2023. Take Michael Kors (below), where useless belts were paired with polished minimalist dresses. Regardless of how it’s worn, the controversial styling choice is, if nothing else, a little bit amusing.

After all, belts were intended as utilitarian garments. They were first created to carry tools, and over the decades they’ve primarily functioned to keep pants upright — with style coming as a secondary bonus. Somehow, the adoption of the belt into solely aesthetic territory is so wrong that it feels right. Like unsupportive mesh flats and deconstructed denim, useless low-slung Y2K belts eschew practicality in the name of, well, looking cool.

They don’t hold anything up. They don’t usually cinch the waist. They just sit plainly over clothes, like a necklace for your hips. But in all their frivolity and fruitless function, flashy belts are the epitome of self-expression. From chain link sashes to thick disc straps, there are options out there for both trend newcomers and seasoned Y2K belt pros.

Below, FASHION curated the best Y2K belt picks on the market right now.

The floral option

This vintage-inspired metal chain offers a rustic-meets-summery look. Accentuated with daisy-adorned medallions, it’s delicate, feminine and an easily accessible statement. And because it’s durable and lightweight, it’s great as an outfit add-on when travelling. To clean and shine, simply rub it with a dry cloth and voilà. Can your favourite necklace do that?

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The Western option

Notice how the belt is sitting *above* the jean loops? Ah yes, that’s the magic of this unwarranted garment. This chunky offering by Calgary-based brand Kate Hewko is made of vegan leather and comes with eye-catching buckle statements. With the versatility of a classic black belt and the added oomph of decorative jewellery, it takes you from a day at the stampede to an evening at an early aughts red carpet.

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The mermaidcore option

Looking to channel your inner Halle Bailey — er…Ariel? Allow us to introduce this cotton crochet belt. Decorated with seashell embellishments and accentuated by dangling fringe, it’s the perfect piece for a day at the beach or a warm-weather ice cream outing. Pair with a lightweight, loose-fitted linen frock for maximum mermaid effect. It may not be practical, but it sure makes getting dressed more fun.

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The nineties nostalgia option

If you’re anything like us, this picture of Claudia Schiffer in a tartan skirt with a gold chain belt holds a permanent spot on your style-inspiration Pinterest board. Introducing: The affordable dupe. This slinky garment has an easy clasp closure for slipping on atop skirts, pants or dresses. Reminiscent of vintage Chanel runways, the luxury accessory epitomizes the power of the unnecessary belt.

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The minimalist option

Monochromatic minimalism and cool Y2K belts? Not exactly two compatible concepts. But somehow, this brown leather Isabel Marant piece brings these ideas together. The straightforward design is elevated with a tab slot fastening (that has multiple styling options!) for an accessory that would appeal to Ashley Olsen and Paris Hilton alike.  If you’re feeling adventurous, it also comes in bolder shades.

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The boho option

A near-exact replica of this glorious accessory worn by Hayden Panettiere in 2005, this Western-inspired disk belt is the immediate focal point of an outfit. Embellished with round leather segments, studs, and a prominent coin buckle, it can be worn with jean co-ords for a rustic look or flowy maxi-skirts for a hippie-inspired serve. The disc belt — which some have said originated in Native American communities — was a staple on Y2K red carpets. This is as close as it gets to reliving that era. (Plus, it comes in six other colours.)

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The post The Unnecessary Belt Is Back appeared first on FASHION Magazine.

RELATED: Get to Know Anishinaabe Activist and Storyteller Sarain Fox

You first met on the dance floor of a Montreal bar in 2007. What drew you to each other?

José Manuel St-Jacques: “Simon was wearing a gingham shirt, so he looked like a little picnic. I basically jumped on him, and I was like, ‘Hi, I’m José.’ He said, ‘I’m Simon.’ We kissed, and then we just danced for the rest of the night. We only figured out that we both worked in fashion once the bar closed and we started talking.”

Simon Bélanger: “We kept eyeing each other at opposite ends of the dance floor. I thought he was out of my league because he was too pretty for me. But once he jumped on me, I was like, ‘Okay, cool.’ We were very goofy dancers so we could see that we both had a good sense of humour.”

You launched your label together in 2011, after José won $100,000 on Quebec’s Project Runway–inspired competition show La Collection. How did you fuse your identities to create a cohesive brand?

SB: “I have more of a gothic, serious aesthetic, and José’s is more happy, whimsical and dreamy. So we had to find ways to align. For us, fashion is a form of escapism, but it’s an escape to find yourself. We have always wanted to create inspired pieces that help people define themselves.”

JMS: “We both have a sense of drama, we’re both romantics and we both like sensuality. So that’s where we align.”

What’s it like working together while also being life partners?

JMS: “The first year we started working together was an adjustment because we’re both very strong-headed. But in the end, it’s really rewarding. He pushes me further than I would go alone. When one of us brings an idea to the table, we really have to convince the other person. So by the time we share it with the world, we’re super confident.”

SB: “Over time, it has become a way of life. Whenever we decide we’ve worked enough hours, we change gears into just being best friends. It’s not complicated. Our industry is very difficult, challenging and fickle. So having someone you love and trust next to you makes you pretty much invulnerable.”

Up until now, your label’s name has been Unttld (pronounced “untitled”). What inspired you to rebrand as Mance for Fall 2023?

SB: “In the beginning, Unttld allowed us to disappear behind the work. We wanted our pieces to speak for themselves and not impose upon anybody a name or intention.”

JMS: “We always felt like we didn’t want to put our name on the clothes. Like, ‘You’re not wearing me; you don’t need my name to tell your story.’ But now, we feel ready to put a name on it. And that name is Mance, as in ‘romance.’”

SB: “We were looking for a word that evokes feelings without being an actual word. Mance is also the name of the street where we first moved in together, just the two of us. We still stand for the same qualities and brand values: drama, craftsmanship, luxury and sensuality. That’s really what we’re all about. But after over 10 years of doing this, we were ready to have a name.”

You’ve said that you use fashion to travel “through space and time.” Can you expand on that?

SB: “We spend many of our evenings watching historical documentaries. We especially love learning about all the kings and queens of Europe. We’re fascinated by the fight for power and the saga of the rise and fall of royalty. So we always use references from movies and history, with a mix of what feels right for the moment.”

JMS: “Clothes are like the first shell that you have between yourself and the world. You can travel in your mind by wearing something; you can build a story around yourself through clothing. You put on a garment and all of a sudden you’re somewhere else — you’re someone else. We always say that the clothes we make are for the movie of your life…for a fantasy.”

You draw a lot of inspiration from notable figures from the past. What’s your opinion about the term “icon” in today’s zeitgeist?

SB: “I think it’s a word that is attributed to people a bit too easily these days. True icons stand the test of time. An icon is someone who incarnates something spiritual and artistic. They carry with them certain concepts, ideas and emotions that we need to be reminded of and that we can apply to our own existence. Marilyn Monroe is an icon. She incarnated a certain kind of effervescent femininity that doesn’t necessarily resonate with every woman but represents one aspect of what a woman can be. For a lot of the figures that today’s young people consider to be icons, I would say, give them the benefit of time. Because I think it’s too early to tell.”

This article first appeared in FASHION’s September 2023 issue. Find out more here.

The post Get to Know the Designer Duo Behind Mance appeared first on FASHION Magazine.

RELATED: Miranda Hobbes Deserves Better

The scene in question finds Samantha phoning Carrie from across the pond. Sitting in the back of a chauffeured car on the streets of London, she’s sporting a silver lamé trench coat, a bright scarlet dress, chunky silver jewellery and a lime green Fendi First clutch. It’s an oeuvre so glamorous, so dazzling, so chic that I have no choice but to deem it the most memorable fashion moment of the season. In a show with pigeon purses and view-obstructing headpieces, that’s saying something. But allow me to explain.

You see, the magic of this ensemble lies in its logistics. For starters, Patricia Field — the costume designer behind SATC’s era-defining fashion legacy — returned solely to dress Cattrall for this one moment. Secondly, Samantha’s wearing red, which is a subtle nod to her character’s signature colour and fiery sensibilities. And finally, we only get to see her upper half, which re-affirms her noncommital charisma and somehow makes this image even more powerful.

In all its colour-blocking and statement accessorizing, the look communicates everything viewers love about this character: confidence, glitz, and unapologetic ambition. “I wanted to bring back Samantha Jones,” Field told Elle of crafting the costume. “I didn’t veer off and make some other image. [There] were a few adjustments, but nothing major.” Unlike Miranda’s watered-down wardrobe or Charlotte’s distracting over-embellishments, Samantha reappears just as we remember her. And thank God for that.

The thing is, while some aspects of Sex and the City aged poorly, Sam’s legacy is overwhelmingly one of acceptance. She took a fluid approach to sexuality. She never judged her friends (it’s not her style!). And as the oldest woman in the group, she rewrote the rules of who gets to be “sexy” on-screen. Even Kim Cattrall’s refusal to take part in And Just Like That… exudes Samantha Jones energy. The actor has long had a rumoured feud with some of her fellow cast mates, and the decision not to come back mirrors her uncompromising ethos on-screen.

Samantha knows who she is — and she dresses that way. With a penchant for sharp proportions, bright shades, and revealing cuts, the PR exec’s style was always an extension of her personality. Ultimately, her latest cameo is yet another example. It’s a look that says, “I don’t want to be in a situation for even an hour where I’m not enjoying myself.” It’s an outfit that oozes, “I love you, but I love me more.” It’s the uniform of someone with an enviable PR Rolodex and an indifference to the opinions about her. What she’s wearing is, in other words, the epitome of a perfect comeback look. A distant cousin of the revenge dress, comeback attire is an ensemble selected to remind the world of who you are. It can be brief. It may be subtle. But it reinstates the importance of your energy — even if for just a few moments.

On the call, Samantha pays her respects to the iconic apartment that Carrie has lived in throughout the series. “Thank you for everything,” she purrs on speakerphone, the jazzy Sex and the City soundtrack playing softly in the background. She bids Carrie a pithy “Ta and cheerio!” and goes on her merry way. Through this distinct sartorial serve and characteristically snappy dialogue, fans can finally feel closure from Samantha Jones. And true to her quit-witted style, it took just 74 seconds to get it.

The post Samantha Jones and the Anatomy of a Comeback Look appeared first on FASHION Magazine.

RELATED: Flats Are Cute, Actually

The closest you can get to going barefoot without entirely forgoing protection, mesh flats reveal smushed-together toes and feet that look as though they are protruding from shoes. While strategically concealing and exposing the foot, they are the immediate star of any outfit thanks to their, well, weirdness. The see-through style — which is basically just the tights-as-pants fad, but for your feet — has already been dubbed “summer’s most sensual trend” because of its unapologetic commitment to putting toes on display. Simply put, it takes all the polarizing aspects of the coveted ballet flat and doubles down on them. Unsupportive soles? Probably not great in the rain? A sweat-trapping hazard? Yes to all of the above.

Logistically, mesh flats make no sense. But visually, these sleek second skins are the perfect choice for today’s It shoe sentiments. These are not the Carrie Bradshaw Manolo Blahniks of yore. In an era of recession core, the ultra-thin naked flats have become a must-have footwear trend because they are decidedly under the radar about it all.

Unsurprisingly, The Row was the first to champion the unassuming coolness of the see-through style, thanks to its fan-favourite Mesh Sock Flats. Since then, brands like Sandy Liang, Khaite, Bottega Veneta, Alaïa and more have given their take on the trend, often quickly selling out and garnering even more curiosity over the shoe that’s not quite a shoe.

In recent months, mesh flats have taken off among fashion crowds and trendsetters du jour, paired with styles of all kinds, from denim ensembles to maxi skirts. Earlier this month, a casually dressed Jennifer Lawrence was spotted in fishnet Mary Janes by Alaïa, perfectly in line with her burgeoning minimalist fashion prowess. Following that, Chrissy Teigen snapped a luxe mirror selfie in a pair of slip-ons from The Row. Most recently, Sofia Richie wore Alaïa’s bedazzled iteration to “run errands.” (Presumably the expensive kind, like getting a $23 smoothie at Erewhon.) As the ultimate antithesis of traditional towering high heels, it’s not hard to see the appeal of mesh flats. Sure, they may not be orthopedic-friendly or stain-resistant, but there’s something decidedly enticing about them.

In all its impractical glory, the flat mesh shoe is the culmination of quiet luxury. It’s understated yet refined; effortless yet put-together. It’s the shoe that couldn’t be bothered to commit to being a shoe. It’s a way of taking the straightforward, objectively simple design of the ballet flat and infusing it with intention. Whether it’s embellished with crystals and floral appliqués or made in straightforward netting or crocheted styles, the see-through flat functions first and foremost to adorn the foot in new, nonsensical ways. And nothing says It shoe more than that.

Ready to take the first step in showing your toes? (Sorry.) Styles are selling out fast, so below, FASHION rounded up the best mesh flats on the market right now for summer 2023.

1/8

Leonie crystal-embellished Tulle Ballet Flats

($364, Loeffler Randall)

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2/8

The Marcy Mule

($121.99, Katy Perry)

Buy Now

3/8

Marcy Floral-Embroidered Mesh Flats

($880, Khaite)

Buy Now

4/8

Slip On Round Toe Synthetic Breathable Lace Ballerina

($39.99, Greatonu)

Buy Now

5/8

Leonie Ballet Flats

($295, Loeffler Randall)

Buy Now

6/8

Red Sock Slippers

($965, The Row)

Buy Now

7/8

Square-Toe V-Cut Mesh Flats (Margot 2.0)

($132.38, Vivaia)

Buy Now

8/8

Blossoms Slip-On Bow Ballet Flats,

(was $107.95, now $64.77 , Steve Madden)

Buy Now

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The post The Mesh Flat Is the New Face of Impractical Footwear appeared first on FASHION Magazine.

RELATED: What Does It Mean To Be “Iconic” in 2023?

On the heels of a messy split from Justin Timberlake, the pop star’s decision to don such a pointed statement on a highly documented outing was iconic, slightly petty, and a work of literary genius. You see, before the world had Instagram Stories, TikTok confessionals, and Notes app declarations, we had graphic baby tees.

 

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The format of the garment is pretty straightforward: typically cropped in length, often snugly fitted, and always featuring a buzzy slogan of sorts. Within this framework lies a special kind of sartorial statement that played a pivotal role in Y2K fashion. Historically, the baby tee has been adopted by public-facing young women — like Britney Spears — who were subjects of tabloid gossip and perpetual paparazzi attention. While coming of age in the spotlight, these stars were unfairly positioned as vapid bimbos. Through cheeky one-liner sartorial zingers, they nodded at their reductive reputations by leaning into them. Think Paris Hilton wearing a “Don’t Be Jealous” top. Or Drew Barrymore going out in a shirt that says, “My Boyfriend Is Out Of Town.” It’s bold, irreverent, and most importantly, main character energy.

Back in the aughts, Britney Spears in particular was always at the centre of salacious public speculation. So naturally, she had a penchant for tops with cheeky retorts. Amid invasive assumptions about her virginity, she wore a shirt that said, “I’m A Virgin. (This Is An Old T-Shirt.)”. While getting body shamed during her pregnancy, she went out in a tank that read, “I have the Golden Ticket,” with an arrow pointing to her baby bump. Lives were changed!

The significance of the baby tee — in all its minced-worded silliness — is that it makes you think. Like a personalized billboard, it’s blunt, to the point, and meant to be seen. Emblazoned with a quippy catchphrase, a nonsensical logo or a snide remark (à la Britney), it takes gall to wear one. Perhaps that’s why they always look good. In 1995, Naomi Campbell wore a chic baby tee to a fashion forward red carpet. In 2004, Anne Hathaway let the world know she was “Fed Up” through a deliciously random FedEx pun. Last winter, Hailey Bieber dipped her toe into baby tee discourse with a viral self-deprecating “Nepo Baby” shirt.

It’s worth acknowledging that this style — like with any look that relies on exposed skin — has been predominately praised on thin people. But the assertive essence of the baby tee transcends body shape. And in 2023, baby tees are not just for sample-size stars. They’re for anyone with a message to send or a penchant for causing double-take confusion. Got something to say? Do as Britney Spears would do, and wear it on your baby tee.

From snappy taglines to jazzed-up logos, below are the best baby tees on the market right now.

The Unbothered Baby Tee

The first step in selecting this top is assuming that everyone wants to make plans with you. That takes a certain level of confidence that we should all strive to acquire! With a lightweight fabric and an intentionally aloof message, this Superdown piece captures the essence of the Y2K fashion baby tee. Throw it on for a hot summer day and pretend you’re being papped for the full early aughts experience.

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The Sustainable Baby Tee

Looking for a way to honour the planet? This T-shirt’s got you. Launched in honour of Earth Month back in April, the Reformation top is made of eco-friendly stretch rib fabric while keeping the baby tee quippy energy alive. Best of all? The cutesy riff on “Mother Earth” will no doubt confuse and delight onlookers.

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The High-Fashion Baby Tee

Gen-Z favourite label Heaven by Marc Jacobs knows is skilled at tapping into returning trends from the ’90s and 2000s. Naturally, its take on the 2023 baby tee is nostalgic, fresh and perfect when paired with either baggy cargo pants or a feminine mini-skirt. This logo-adorned garment features the brand’s double-headed bear emblem and a stylized “Heaven” print.

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The Self-Assured Baby Tee

As the saying (sort of) goes, you are what you wear. And sometimes, you just have to put on a shirt that makes you feel better. For the days when you’re not feeling so sure of yourself, what better choice than this “Genius At Work” tee by designer Danielle Guizio? If it looks like it could have come from Paris Hilton’s closet circa 2004, it’s an immediate yes.

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The Britney Spears Dupe Baby Tee

Verbally dolling out unsolicited relationship advice? Kind of annoying. Wearing said advice on your shirt? Inexplicably, a great choice! In honour of Y2K-era Britney Spears herself, this “Dump Him” replica is both a beloved pop culture reference and perhaps a wake-up call for unsuspecting passersby.

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The Minimalist Baby Tee

In an era of quiet luxury and increasingly subtle outfits, perhaps a grabby graphic isn’t your style. This clean baby tee by Canadian brand Kotn has the beloved silhouette of the noughties garment with a refined 2023 appeal. Inspired by ’90s fashion, the wardrobe staple is decidedly void of logos. And with low-key lifestyles becoming their own kind of trend, that’s a statement in and of itself.

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The post The Power of a Baby Tee appeared first on FASHION Magazine.

RELATED: The Irresistible Spectatorship of Sofia Richie’s Wedding

ICYMI: The 28-year-old actor just tied the knot with musician Jack Antonoff in New Jersey, and from the high-profile guest list alone, it had all the makings of an extravagant affair. Taylor Swift’s fans swarmed the venue to see her. Lana Del Rey’s plastic slides were tried in dress code court. But when it came to the bride herself, the sartorial mood was the lowest of low-key.

For the weekend-long affair, Qualley deviated from bridal norms. She had a tousled bob instead of an intricate updo. She stuck to flats instead of heels. Even her collection of gowns was decidedly simple. For the ceremony, she wore an ankle-length halter dress, with crisp white buckled Mary Janes and dainty earrings. At the after-party, she switched into a breezy drop-waist frock with frothy sleeves. This was not dissimilar to her rehearsal-dinner look, comprised of an A-line tea-length dress with soft pleats and subtle corseting.

It’s suspected that each ensemble was made by Chanel, as Qualley is an ambassador for the luxury brand. But her gowns are so decidedly subtle that it’s honestly hard to tell. And perhaps this mystique is the point.

Her noticeably pared-down aesthetic feels like an intentional shift from celebrity weddings of the moment. Just a few months ago, Sofia Richie set the tone for aspirational nuptials with a fête that broke the internet. Held at a five-star hotel in the south of France (that was completely rented out for the event, naturally), her wedding was a visual feast of opulent decor and detailed ensembles — served up to the world in a Vogue exclusive. Despite many deeming Richie 2.0 the queen of quiet luxury with her tastefully expensive everything, the event was loud and luxe, setting a public expectation for front-row access to A-list weddings.

But coinciding with a roster of muted bridal looks, Margaret Qualley and Jack Antonoff’s wedding pushed back on this example. Despite a presumably high destination budget and guest list spanning from Zoë Kravitz to Cara Delevingne, the event was pretty laid-back. The rehearsal dinner was reportedly held at a restaurant called Black Whale Bar & Fish House. (Instead of a Michelin star, it has 3.5 stars on Yelp.) The actual reception took place at the nautically-themed seafood eatery Parker’s Garage & Oyster Saloon, described as an “easygoing venue” with a “big menu.” (My kind of spot!) And at the time of publication, any substantial details about the whole shebang are tough to scrounge together.

The chillness of it all is, of course, extremely chic. On the heels of Ashley Olsen’s uber-private pregnancy and an ongoing cultural fixation with quiet luxury, Margaret Qualley’s muted betrothal taps into the trend of hushed lifestyles. There’s something undeniably authentic in acting — and dressing — just for you, and not for an audience. As a bride, Qualley’s commitment to minimalism could be the start of a more discreet mood in celebrity nuptials. Most importantly, she just made wedding flats cool.

Feeling outfit inspiration for a special occasion? The nice thing about Qualley’s looks is they’re easy to emulate at any price point. Below, FASHION did the work for you.

Maguire Velada Cream Ballerina Ballet Flat

Crafted with a flexible sole and a soft back, these clean-cut off-white flats are the perfect entry into new bridal footwear territory. With an ever-so-subtle heel (we’re talking eight millimetres) and a softened square-toe design, they have a sophisticated finish that fits right into fancy dress codes. Best of all? The made-in-Canada shoes come in buttery smooth leather, for day-to-night comfort.

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Cinq à Sept Hillary Midi-Dress

Slightly more casual than Qualley’s wedding wares, this Cinq à Sept dress has the refined air of a minimalist wedding with the versatility of a simple summer soirée. With a scoop neckline, long puffy sleeves and seamless side pockets, the voluminous tiered dress is great for any special occasion. Thanks to its crisp design and feminine silhouette, it is both chic and understated — just like the Margaret Qualley bridal uniform. It’s also been majorly marked down.

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Dream Pairs Sole-Simple Ballerina Walking Flats

Flats that are actually made for walking? That’s not something you see every day. Don’t be fooled by the classic ballerina silhouette, these shoes are surprisingly durable, with extra grip on the rubber outsole and super soft lining. Available in 10 colours, the white iterations go with everything from wedding dresses to slouchy suits.

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Anthropologie Rya Collection Charming Gown

Featuring a halter neckline and an open back, this luxurious piece is exquisitely straightforward. With luscious charmeuse fabric and an impressively affordable price tag, it’s a cocktail ensemble that makes quiet luxury accessible. And unlike Qualley’s halter, this offering has a high-neck front design — making the tie-up back an even-more-appealing focal point.

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Sandy Liang White Pointe Mary-Jane Ballerina Flats

For anyone looking to copy Margaret Qualley as closely as possible, meet these Sandy Liang Mary Janes. Complete with a subtle heel and a square toe design, the all-white pin-buckle shoes are the ideal elevated bridal flat. And with high-quality leather lining throughout, you know they’ll last long past the ceremony.

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Reformation Jaide Dress

I know, I know. It’s not all white, so critics might say it’s not bridal. But coming from someone who has this dress, I can attest that it feels a propos at both a picnic and a summertime ceremony. With a romantic drop-waist silhouette and a lightweight linen skirt that hits just below the calves, it goes stunningly with a pair of pristine flats. And in the spirit of diverting from wedding norms, it fits the dress code perfectly.

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The post Margaret Qualley Just Made the Case for Minimalist Weddings appeared first on FASHION Magazine.

RELATED: What’s Up With Aidan and Carrie’s Outfits in And Just Like That…?

Of all the Sex and the City women, Miranda — played by Cynthia Nixon — was once uniquely aspirational. Throughout the original show’s six-season run, she rejected expectations of femininity and looked great doing it. Sporting power suits, keeping her hair short and spiky, and putting her career above all else, she championed a cool minimalist androgyny. Sure, she had her faults. But one thing remained true about Miranda: She knew who she was. That is, until And Just Like That… came around.

Because of her gender-bending chicness, there was always speculation as to whether Miranda was queer (Nixon herself is married to a woman). So when AJLT decided to explore this plotline, it had the exciting opportunity to see her flourish later in life. But instead, we’ve gotten some cringe clothing moments that just don’t feel fair.

Over the course of And Just Like That…, Miranda has gone through head-spinning style changes. In season 1, after transitioning from law exec to nervous grad student, her hair is grey and she wears relaxed, comfy clothes (read: lots of plaid). While exploring her sexuality, she enters a relationship with Che Diaz, a non-binary comedian who treats her horribly and has emerged as the show’s de facto villain. She also callously cheats on her longtime husband Steve, which casts another shadow of negativity on her radical self-discovery.

In season 1, she looks pretty casual — a major switch up from her SATC corporate wear. This visual 180 comes with a personality transplant, and she spends episodes feeling insecure, unsure of herself and all over the place emotionally. Through this shift, the once vivacious, strong-willed Miranda feels woefully watered down.

In a series where clothes have always mattered, Miranda’s journey in reclaiming her sexuality started off far less fashionable than it could have been. By abandoning her established subversive style, she wasn’t able to continue the gender-fluid experimentation she was once known for. At the beginning of season 2, after moving to California with Che, a now-red-headed Miranda spends the better part of an episode literally covered in trash after a beach cleanup goes wrong. While her NYC friends are dressed to the nines, Miranda is sartorially punished. Something about that doesn’t feel right.

As season 2 progresses, things appear to be getting better for Miranda. She leaves her dysfunctional relationship with Che, and she leans into sexier silhouettes when casually dating. She’s rising through the ranks at her new job, and her revised work attire is softened but stylish — with pleated dresses, chunky jewellery and brighter colours than in previous years. She’s also retreated to her beloved bluntness. After a co-worker sarcastically calls her “perfect,” she responds: “Actually, I’m a sexually-confused alcoholic who’s in the midst of a divorce.” That’s on self-awareness!

Her style improvements continue into episode 9, when she dons a sage green pantsuit to go apartment hunting with Carrie. It’s a “She’s back!” moment for sure. And it culminates in episode 10, where she takes two well-paid-off fashion risks: a striking gradient coat to leave a meeting with her boss, and a brown tailored jumpsuit with neon buttons for brunch. These looks don’t emulate SATC Miranda, yet they still feel authentic to her. But even with glimmers of sartorial hope, Miranda remains the show’s punching bag.

In episode 10, she attends Che’s comedy show at the advice of (and alongside) Carrie. Here, Che divulges intimate details about their love life and mocks her sexual curiosity to a crowd of laughing strangers. Miranda gets up and leaves, while Carrie stays put. Later in the episode, Carrie dismisses Miranda’s (valid) anger at Che, calling it “high school.” Try as she may, it seems Miranda can’t avoid mistreatment in And Just Like That….

Don’t get us wrong: Miranda’s aesthetic rollercoaster is not objectively bad. It’s refreshing to see a middle-aged woman go through raw self-discovery on-screen. What’s bothersome about this is the fact that Miranda’s journey consistently feels overshadowed by the bad things in her life — no matter how well she’s dressed. With the final episode airing on August 24, let’s hope the end of the series gives Miranda what she so desperately needs: peace of mind.

The post Miranda Hobbes Deserves Better appeared first on FASHION Magazine.

RELATED: Perms Are Cool Again

These days, every outfit seems to look better with a headband. Look no further than the roster of It girls flocking to the versatile doodad in all its forms. During her viral fashion-filled press tour earlier this summer, Jennifer Lawrence had a penchant for pairing thick, puffy headbands with her revolving door of elegant outfits. Bella Hadid and Laura Harrier have been sporting sporty black bands in their chic street-style outings for a while. Headbands in all their varying forms have even emerged as a red carpet trend — from Precious Lee and Emma Chamberlain at the Met Gala to Shay Mitchell’s doll-like look at the Barbie premiere.

Headbands are shaping up to be the must-have accessory of 2023. How does such a simple adornment have so much impact? Just refer to its head-spinning history, where different iterations have functioned as crowns of cultural commentary. In the 1920s, Vogue notes that headbands were used to push back on sartorial restrictions and often complemented defiantly chopped hairstyles. In the Second World War, headbands took on a functional role, with the iconic Rosie the Riveter famously fastening on a polka dot bandana to match her “We Can Do It!” message. Through the decades, varying headbands have starred in presidential campaign trails and ’80s workout posters. Transformation is at the core of the head-adorning style.

So while the headband trend is not new, there’s something fresh about its revived popularity — particularly when compared to the previous decade. The 2010s brought crystal-spun hair accessories with maximalist embellishments and bright colours. But 2023 is the age of quiet luxury and Sofia Richie minimalism. Now, headbands subtly elevate outfits with too-cool-to-care sophistication that is once again sparking cultural discourse. Take the renewed popularity of the simple black workout band, which Dazed called a sleuth status symbol. Not bad for something you can buy at a drugstore.

 

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Above all, with their crown-like appearance, headbands communicate a certain kind of self-aware confidence. This is probably why, as much as they change, they’ll never go out of style. From polished slip-on designs to sleek stretchy materials, there’s a headband out there for every mood. Below, FASHION has curated the best options on the market right now.

The quiet luxury look

Worn by Jennifer Lawrence during her aforementioned recent press tour, this Jennifer Behr satin headband is generously padded for a luxe finish and guaranteed all-day comfort. Lawrence wore it to appear on Hot Ones, the interview show where celebs answer questions while eating painfully spicy chicken wings. How does one make that look good? The answer is this headband.

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The Barbiecore option

The headband trend is Barbie-approved, obvi. Apart from styles worn by stars on the film’s press tour, Margot Robbie’s doll character was an originator of the 2020s headband craze, via the polka dot hair accessory she wore in a promotional poster from last year. This hot pink cushioned style is so comfy you’ll forget you’re wearing it. And since pink is officially the new black, it goes with everything.

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The affordable status symbol

Black stretchy headbands are no longer just for going to the gym. They’ve become a subgenre of the headband craze, cemented as a staple of trendy outfits — and not to mention a saving grace for lazy hair days. This fan-favourite Amazon offering comes with ten super soft elastic bands that thankfully won’t give you a headache. Pro tip: place it slightly on your forehead to cover your hairline for an egg-adjacent final look that inexplicably works.

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The delicate flower crown

I’ve never given much thought to the uniform for frolicking through a field — until I spotted this Simone Rocha gem. The crystal accessory is adorned with daisy-like beaded flowers for a feminine take on the headband trend. Style it with a frothy babydoll dress and slip on a pair of ballet flats for the perfect ethereal summer day ensemble.

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The bow-adorned accessory

ICYMI, bows are kinda big right now. Designers Sandy Liang and Simone Rocha are arbiters of the girlish add-on, which puts a decidedly romantic spin on everything it touches. Take this slip-on design from Nina Ricci, which features a soft oversized bow that adds a dreamy delicate touch to any outfit.

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The collegiate accoutrement

A sturdy brown headband reliably communicates a well-dressed ready-to-learn mindset. Case in point: This tonal-brown slip-on piece by Sophie Buhai is handcrafted with acetate and shines with varying rich burl shades. Pair it with a cropped vest and slouchy slacks for a quintessential prepster look.

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The autumnal outfit add-on

I’m all for living in the moment, but when I see something that screams fall fashion — regardless of the time of year — I have a duty to click add-to-cart. This was the case for this duo of velvet headbands. Sold together in colours black and rich burgundy, these headbands have an autumnal preppiness that would thrive alongside a plaid skirt and knee-high boots. Cher Horowitz would be proud.

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The post The Meaningful History of Headbands appeared first on FASHION Magazine.

RELATED: How to Achieve the Quiet Luxury Look On a Budget

According to TMZ, the 37-year-old and her husband Louis Eisner welcomed a son named Otto with sometime within the past few months. The mystery-shrouded affair is pretty on par with Olsen’s public-facing persona (or lack thereof). She and Eisner’s 2022 wedding was kept confidential. The couple doesn’t publicly comment on their relationship. And, in true Olsen fashion, there are no images or confirmations concerning her pregnancy or their firstborn child’s arrival — no matter how intrigued fans are. Ashley Olsen is a pro at starving the world for details. And you know what? Good for her.

The thing is, in recent pop culture history, powerful pregnancy declarations have become a staple of celebrity-fan relationships. In the aughts, it was standard for tabloids to speculate on who was expecting, and A-list stars would regularly reveal baby bumps via magazine cover shoots. Over the years, there’s been unfair pressure put on famous people to disclose when they’re expecting — leading to moments like Ellen DeGeneres emphatically offering Mariah Carey Champagne in an effort to reveal whether she was pregnant in 2008. (She was, and she later miscarried. See the problem?) More recently, celebrities have taken some of the power back through carefully crafted viral social media moments. Enter: Rihanna.

Last year, the Fenty Beauty mogul dominated fashion news cycles with boundary-breaking ensembles that pushed back on the traditional notions of maternity wear. Since then, loud pregnancy announcements and out-there-everywhere bumps have reigned supreme. Keke Palmer gave the world a stylish reveal while hosting SNL. Lindsay Lohan has been embracing a bump-accentuating style since breaking the internet with a “baby on the way” post. Then there’s Rihanna, who announced her second pregnancy through an unforgettable 2023 Super Bowl Halftime performance and has been turning heads with every subsequent street-style outing.

Needless to say, it’s the age of boldly broadcasted pregnancies, where daring maternity dressing is rightly celebrated and announcements are met with floods of comment-section support. But it’s important not to make this into a mainstream expectation. Cut to Ashley Olsen’s ultra-private move, which not only subverts this norm — but perhaps even hints at a new one.

Of course, hiding a high-profile pregnancy is not a novel concept. (Who can forget when Kylie Jenner retreated entirely from public view before giving birth in 2018?) But there’s something particularly striking about Ashley Olsen keeping her mom-to-be-status under wraps. We’re in an era when parasocial relationships are at the forefront of stardom culture. And in fashion spaces, the Olsens have arguably never been more popular, with their brand The Row being the framework for this year’s leading trends of quiet luxury and stealth wealth. These days, a sartorial hush blankets the style landscape, via minimal accessorizing and muted colour palettes. Ultimately, that makes her purposely private milestone all the more relevant.

2023 marks a time when we’re retreating to minimalism, subtle sensibilities, and generally looking more low-key. It seems only fitting that this could extend to the personal lives of celebrities, which have long been publicized online. It begs the question: In the seismic shift to decidedly discreet dressing, could “quiet” personal lives be next? It wouldn’t be the first trend the Olsens set.

The post What Does Ashley Olsen’s Secret Pregnancy Say About Celebrity Culture? appeared first on FASHION Magazine.

RELATED: The Best, Whackiest, and Most Impractical Looks from And Just Like That… Season 2

Every loyal Sex and the City viewer can probably agree that Carrie and Aidan were never quite right for each other. Throughout their on-again-off-again saga, something about this couple didn’t fully fit — and their contrasting styles were the evidence. Aidan (John Corbett) was a down-to-earth dog-loving woodworker who lived in flannels and backwards baseball caps. Carrie (Sarah Jessica Parker) was a New York City social butterfly who traipsed to cocktail hour in Manolo Blahniks and impossibly fluffy tulle skirts.

Their inevitable relationship issues — including an ill-fated proposal, two big breakups, and a poorly-timed romantic reunion— were hard to watch, but ultimately, made sense. In the competition for Carrie’s heart between Aidan and Big, Big always won. Big was glamorous and materialistic, while Aidan was rugged and outdoorsy. Time and time again, the former aligned more with Carrie’s values — for better or worse. In And Just Like That… season 2, however, Big is out of the picture, so Carrie and Aidan are giving their connection another go. History would suggest it’s doomed. But their costumes — orchestrated by Molly Rogers and Danny Santiago — seem to argue otherwise.

It all started in episode 7 when Aidan re-enters Carrie’s life and our screens. The startling nature of this appearance is not so much due to the fact that Aidan is back, but it’s in what he’s wearing: a modernistic coat festooned with pockets, done up with buttons and finished by a waist-cinching belt. Lying somewhere between Edward Scissorhands-core and a military uniform, the look prompted internet uproar, followed by existential questions about Aidan as a person.

Coming from a man whose outerwear was usually made of corduroy or denim, some argue that Aidan wouldn’t even know how to put this contraption of a garment on. And — hear us out — perhaps that’s the point. It’s Belstaff. It retails at nearly $1,000. And for Aidan, it’s an indication of a new era: he’s divorced, he has money after selling his furniture company to West Elm, and he’s into avant-garde menswear now, apparently. Standing next to Carrie in a floral dress, there’s something about this union that feels…fresh.

In the eighth episode, Aidan dons the jacket again, but with more toned-down styling. Instead of looking suffocatingly zipped and uncomfortably cinched, he wears it undone to reveal plaid lining — a print that feels loyal to the essence of his character. As he and a lovestruck Carrie peruse homeware aisles, spend time at their Airbnb, and go on dinner outings, their clothing seems, for the first time, somewhat in sync.

Carrie spends the episode looking uncharacteristically comfortable. She’s swathed in gargantuan cardigans, cozy knits and heavy layers of plaid and ruffles. Her silhouettes are billowy and loose as she muses about whether Big was “a big mistake” and contemplates living part-time in Aidan’s Virginia farmhouse. (This, from a woman who was physically repulsed after seeing a squirrel at his cabin in SATC season four?!)

Along with his new favourite coat, Aidan has ditched his turquoise rings and hipster string necklaces of years past. Now, he wears crisp T-shirts and collared button-ups. Within this polished vibe, even his flannels give off the air of a moneyed metropolitan man.

Both of their respective wardrobes appear indicative of a hopeful relationship journey. Aidan seems at ease in Carrie’s fanciful comfort zone. Likewise, Carrie is dressed like she’s making space (literally) for Aidan’s rural lifestyle. At last, it seems a sartorial middle ground is being reached.

Knowing these two, things will probably get messy. But if their evolved ensembles are any indication, perhaps their conflicting characteristics will finally find a way to exist in harmony.  Take Carrie’s mid-episode decision to pair tartan with hot pink ruffles. Some things shouldn’t work together, but against all odds, they just do.

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The post What’s Up With Aidan and Carrie’s Outfits in <Em>And Just Like That…</Em>? appeared first on FASHION Magazine.

Update: Lizzo has publicly denied all allegations of mistreatment and sexual harassment in a statement shared on Instagram on the morning of August 3. “These last few days have been gut wrenchingly difficult and overwhelmingly disappointing,” she writes. “My work ethic, morals and respectfulness have been questioned. My character has been criticized. Usually I choose not to respond to false allegations but these are as unbelievable as they sound and too outrageous to not be addressed.”

Lizzo went on to discuss the lawsuit in more detail, claiming that the allegations are coming from former employees who have already “publically [sic] admitted that they were told their behaviour on tour was inappropriate and unprofessional.”

She also called the stories against her “sensationalized” and said that while she has to make hard decisions sometimes, it has never been her intention to “make anyone feel uncomfortable or like they aren’t valued as an important part of the team.”

In response to allegations of body-shaming and putting employees in uncomfortable sexual situations, Lizzo wrote, “I am not here to be looked at as a victim, but I also know that I am not the villain that people and the media have portrayed me to be these last few days…There is nothing I take more seriously than the respect we deserve as women in the world.”

She ended the post by thanking her supporters for reaching out to her during this time and explained that, while she’s hurt by the situation, she will not let the allegations overshadow “the good work [she’s] done in the world.”

In response to Lizzo’s statement, the plaintiffs’ attorney Ron Zambrano released a statement to NBC News on the morning of August 3 saying that the singer’s, “dismissive comments and utter lack of empathy are quite telling about her character and only serve to minimize the trauma she has caused.”

 

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Lizzo is facing shocking allegations of sexual harassment and fostering a hostile work environment. The pop star — who is known for her lyrics of empowerment and body acceptance advocacy — had a lengthy lawsuit filed against her by three former backup dancers on August 1. Here’s what you should know.

Who are the plaintiffs?

All three plaintiffs are dancers who worked on Lizzo’s Special Tour. Two of them, Arianna Davis and Crystal Williams, began performing with Lizzo after competing on her Amazon reality show, Watch Out for the Big Grrrls, in 2021. The third, Noelle Rodriguez, was hired to perform in a 2021 music video and was brought on as part of her dance team. Davis and Williams were allegedly fired and Rodriguez resigned.

RELATED: Lizzo Wants to Help Girls Struggling with Self-Confidence

What are the details of the lawsuit?

The suit relates to a string of instances between 2021 and 2023, alleging claims like disability discrimination, assault and false imprisonment — along with sexual, religious and racial harassment. It names Lizzo (née Melissa Viviane Jefferson) as a defendant, as well as her production company Big Grrrl Big Touring (BGBT) and the captain of her dance squad, Shirlene Quigley. Not all complaints pertain to every defendant.

Which allegations involve Lizzo?

One claim describes a night on tour in Amsterdam when the dance crew went out to a nude bar in the Red Light District. Dancers allege they often felt pressured to go on routine party outings to preserve job security and to remain in Lizzo’s good favour. On this particular outing, Davis says she was pressured repeatedly by Lizzo to touch the breasts of one of the performers, even after saying she felt uncomfortable. “Plaintiffs were aghast with how little regard Lizzo showed for the bodily autonomy of her employees and those around her, especially in the presence of many people whom she employed,” the suit says, as reported by NBC.

The dancers go on to claim that in April, Lizzo falsely accused them of drinking before performances. She allegedly had them all re-audition, saying that if she wasn’t pleased with their work they’d be fired. This turned into an “excruciating” 12-hour day, in which dancers allege they felt scared to leave the stage, with Davis saying she was too afraid to use the bathroom. According to Davis, that same month, Lizzo body shamed her via “thinly veiled” concerns, with the singer reportedly telling her she seemed “less committed” due to her apparent weight gain.

According to the filing, Williams was fired in public after pushing back on Lizzo’s accusations that dancers had been drinking before shows. Davis says she was fired in May, after recording a meeting where Lizzo gave performance notes to review them later — a decision she said was based on a health condition that makes her disoriented in stressful situations. Davis was later “berated” by Lizzo, says the suit, and subsequently forced to remain in the meeting room so that security could go through her phone. That incident allegedly prompted Rodriguez to resign.

What are the other allegations?

Many accusations involve Shirlene Quigley, who has been accused of pushing her religious beliefs onto dancers and repeatedly making sexually explicit comments in front of them. The plaintiffs — who are all women of colour — also say that the BGBT production team was mostly made up of white people. They allege that BGBT management treated Black members differently than other members, accusing them of being “lazy, unprofessional, and having bad attitudes.”

Has Lizzo responded?

At the time of publishing, Lizzo has not responded. The same day the suit was filed, she posted to her Instagram without acknowledging the accusations. It has been met with thousands of comments urging her to make a statement.

Has anyone else spoken out?

Since the lawsuit was filed, some of Lizzo’s ex-colleagues have come forward to show their support for the dancers’ claims. Filmmaker Sophia Nahli Allison says she dropped out as director of Lizzo’s documentary Love, Lizzo in 2019 after being mistreated. “I witnessed how arrogant, self-centred, and unkind she is,” she wrote on Twitter, adding that she felt “gaslit” and “deeply hurt.” She noted that seeing the other reports made her realize the severity of the situation. “This kind of abuse of power happens far too often.”

Courtney Hollinquest, a dancer who used to work for Lizzo, shared that she could relate to the plaintiffs’ claims. “For clarification, I’m not a part of the lawsuit — but this was very much my experience in my time there,” she wrote on Instagram. Lizzo’s former creative director Quinn Wilson reposted Hollinquest’s message on her Instagram Stories. “I haven’t been a part of that world for around three years, for a reason,” she added. “I very much applaud the dancers’ courage to bring this to light.”

What’s next?

The plaintiffs are seeking damages covering emotional distress, lost wages and attorneys’ fees for an undisclosed amount. Lizzo has long been outspoken about the body shaming she experiences on the internet. Many have noted that while the allegations against Lizzo undermine her message, they’re not an excuse to body shame her. In the long run, fatphobia perpetuated on the internet — along with any other kind of hateful messaging — only hurts victims more.

With files from Stephanie Davoli

The post Lizzo Has Responded to the Allegations Against Her appeared first on FASHION Magazine.

RELATED: What To Wear to the Barbie Movie

This high-stakes scene is so much more than an arbitrary fashion debacle. It’s the culmination of the humble Birkenstock’s rocky history and winding reputation. You see, Barbie is known for being classically elegant, objectively beautiful and, despite Mattel controversies, undeniably popular. Birkenstocks? Not so much.

Since 1973, Birkenstock Arizona Sandals have been worn by teens, models and dads alike. But with thick double straps, cumbersome buckles and orthopedic cork footbeds, their signature structure has been polarizing to say the least. Pair them with socks or bare feet. Wear them with a dress or a pair of sweatpants. The Birkenstock’s clunky, functional design never seems to go out of style — or be entirely in style, either.

Adopted by hippie culture and then hipster culture, Birkenstocks spent decades as part of the niche “granola” aesthetic. This stereotype describes a wearer who is environmentally-minded, not on the frontier of fashion and generally kinda…frumpy. And yet, this same unrelenting design is part of Birkenstock’s cult classic appeal — just look at the array of high-fashion collabs it has under its belt (or buckle). In 2022, the brand even launched a campaign called “Ugly for a Reason,” shedding light on the importance of unglamorous foot health. Admirably, Birkenstocks are unapologetic about their appearance.

In recent years, a spin on the classic sandal design — the Birkenstock Boston Clog, seen by some as cute, seen by others as a “potato shoe” — was highly coveted, thanks to pandemic-induced prioritization of comfort. Cut to today: Barbie — arguably the most fashionable film of the year — is wholly embracing Birkenstocks’ image.

The film frames the sandal as an emblem of unpleasant, yet necessary, self-actualization. The footwear equivalent of the fruit of knowledge, if you will. In Barbie, Birkenstocks are literally the key to the universe. And that message has been received loud and clear: According to the global shopping platform Lyst, Birkenstock Arizonas have seen a boom in searches since the film’s release on July 21. Barbie’s power!

At the end of the movie, Barbie reconciles with Birks. Now living as a human, her final outfit demonstrates this point: She has her blonde hair pulled back and is wearing a neutral blazer, jeans, and a pair of pink Birkenstocks — reportedly the Birkenstock Arizona Big Buckle Nubuck Leather Sandals in rose, to be exact. Dressed to see her gynecologist, this ensemble makes a statement: The iconic doll doesn’t have to compromise her “girly” side to thrive in the real world. At last, Barbie and Birkenstock — and all that they represent — are existing in harmony.

It’s no wonder slide sandals are seeing newfound popularity in pink shades. From bedazzled styles to blush flatforms, below are the best Barbiecore takes on the Birkenstock concept.

Birkenstock Arizona Big Buckle Birkenstock Sandals

This pair — believed to be the same style worn by Margot Robbie in the film — put a Barbiecore-spin on the classic two-strap Birkenstock. Featuring large statement buckles and genuine leather straps, they offer a distressed and put-together look. The lightweight feel is great for walks in the park, running away from Mattel agents, and even, you know, going to certain specialist appointments.

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BenSorts Pillow Sandals

With soles made of Ethylene-Vinyl Acetate (EVA) — a rubber-like material that is designed to feel softer and more flexible — these unisex slides are the definition of comfort made cute. With an easy slip-on design and adjustable buckles, they’re ideal for lounging, a day at the beach, or a cozy outing. It’s no wonder they’re a best-seller on Amazon.

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Birkenstock Mayari Suede Sandals

This thong-style design puts a modernized spin on the signature Birkenstock double buckle sandal. Pictured in hot pink, it comes with a moulded footbed for optimal walkable comfort.

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Blumarine Pink Suicoke Edition MOTO-Cab Sandals

Looking to be a bit…extra? Enter Blumarine’s take on the quintessential Birk. With functional velcro straps and foam rubber soles, these bubblegum slides are embellished with hot pink crystals.

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Birkenstock Arizona Vegan Sandals

This Barbie is sustainable! With the iconic Arizona design, these light pink Birkenstocks have been created in a fully vegan textile. The upper is made of a soft fabric with a classic double-buckle finish, while the sole is made of walkable EVA.

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UGG Women’s Sport Yeah Slide Sandals

Pictured in Taffy pink, this pair looks and feels like a treat. With easy slide-in appeal and a supportive back strap, the cushy footbeds can make any Barbiecore endeavour cozier. Did we mention they’re on sale?

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The post The Significance of Barbie’s Birkenstocks appeared first on FASHION Magazine.

The most important thing to do this summer, apart from seeing the Barbie movie? Finding the right Barbie outfits to see the Barbie movie in, of course.

RELATED: It’s Barbie’s World, We’re Just Living in It

As we gear up for the release of Greta Gerwig’s live-action adaptation starring Margot Robbie on July 21, fashion is bursting at the seams with references to the Mattel franchise. Luckily, before our favourite doll (née Barbara Millicent Roberts) hits the big screen, there are a multitude of ways to shop just like her. Whether you’re harnessing your Kenergy, looking to reference dolls of the past, or just really love hot pink (which, relatable), there’s an on-theme Barbie outfit out there for you. Below, FASHION has curated our top picks for putting the perfect Barbiecore ensemble together.

The preppy take on Barbie

What’s a Barbie wardrobe without a mini skirt? This striped design — adorned with the doll’s classic logo — is a staple for any Barbiecore outfit. Wear it with a tube top for a night out, or pair it with the matching oversized rugby shirt for a decidedly preppy vibe.

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The main character Barbie moment

Zara’s collaboration with Mattel has proved to be one of the most coveted releases yet. From a retro dress inspired by the costume worn by Margot Robbie to a Mermaid Barbie necklace that fits right into Dua Lipa’s on-screen aesthetic, the collection doubles as a guide to fully Barbie-fying your life. Look no further than this hot pink mini-dress, with its dramatic rushed detailing and trailing maxi bow.

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The toy-like Barbie bag

Nothing says Barbie world like a plastic purse. This two-toned pink and orange vinyl bag is both vibrant and playfully transparent, like a toy accessory come to life. Handmade in Canada, it captures the franchise’s whimsical nostalgia while encasing all your items (lipgloss, wallet, doll) with a handy snap closure.

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The cozy Barbie uniform

Comfort is key, even when you’re a doll. This romper embodies all the stylish elements of Barbie with a breezy silhouette that is ideal for busy summer schedules. With subtle pockets, a keyhole back cut-out and an ultra-soft fabric, the made-in-Canada one-piece is perfect for on-the-go movie viewings.

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The all-in-one Barbie dress

Hot pink. Blush. Pastel. This maxi dress combines all the trending shades of Barbiecore with a zigzag striped pattern. The cozy knit material is the perfect choice for a movie theatre viewing, while the leg slit and front cutouts add some subtle sexiness.

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The deceivingly comfy Barbie running shoes

Dolls with permanently-arched feet, look away. Who says Barbie can’t prioritize orthopedic wellness? These Reeboks are the perfect footwear choice for running from the Barbie premiere to the Oppenheimer screening (IYKYK). With a chunky midsole that cushions every step, these hot pink sneakers are both cute and comfy.

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The effortless Barbie shades

We can’t all have a Barbie dream car (sigh), but we can purchase the best sunnies for top-down convertible cruising. These ’90s-inspired rectangular pair have the cutest baby pink tinted lenses with nearly 100 per cent UV protection. Plus, they’re lightweight and compact, making them a great on-the-go accessory.

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The done-up Barbie dress

A halter dress in the summer emits a special kind of energy that is both relaxed and put-together. The fluid, A-line silhouette of this satin cocktail gown is luxe, laid-back, and a decidedly refined take on the otherwise loud Barbie fashion offerings out there. Did we mention it’s on sale?

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The cozy Barbie pants

High-waisted. Snug fit. The wedgie straight jeans are built to hug curves in all the right ways. And in this blushing Barbie hue, they’re the perfect pant choice for a comfy trip to the movies.

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The country-loving Barbie earrings

Western Barbie has entered the chat. They may not be pink, but these bedazzled cowboy boot earrings are the ultimate accessory for the titular doll’s country endeavours, which have been teased through a series of viral sneak peeks. Yeehaw.

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The Barbie bandana

A near-exact replica of the paisley bandana worn by Robbie in the film, this hot pink garment is both a trendy outfit add-on and an in-the-know reference. Tie it in your hair. Fasten it around your neck. Use it to wipe your tears when Ken sings his heartwrenching existential ballad.

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The gingham Barbie top

ICYMI, Barbie’s got some serious gingham going on in the upcoming film. This tube top puts a modern spin on the vintage-inspired print. With a rounded cropped bottom and corset-inspired seaming, it’s both timeless and in vogue.

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The blazer-wearing Barbie

This Barbie means business! With padded shoulders and buttoned cuffs, Steve Madden’s lightweight faux leather jacket is the perfect hot pink wardrobe staple. Thanks to structured tailoring and vibrant colour, it takes you from the office to drinks to the movie theatre.

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The Barbie-branded mini-dress

The humble rib knit dress is a simple, summertime staple. But when jazzed up with the “Barbie” logo in rhinestone lettering? New levels of iconic have been reached.

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The OG Barbie reference

One of the best looks worn by Margot Robbie on her now-famous press tour is the Hervé Léger black and white striped mini-dress that referenced the very first Barbie, who wore a similar-looking swimsuit. Take a page out of her stylist Andrew Mukamal’s book and channel the original doll in this striped swimsuit. Wear it with jeans as a bodysuit or take a risk and go full beach Barbie.

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The fuzzy Barbie heels

Perfect for artificially arched feet, these fluffy hot pink mules might have as well been plucked straight from Barbie Land. With satin lining and a modest 3.25-inch heel, they’ll keep you clickity-clacking all the way through a very fashionable summer.

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The Barbie daisy necklace

In one of the first scenes of the trailer, Barbie is seen wearing a daisy necklace and matching earrings. This necklace by Simone Rocha taps into those whimsical vibes. With intricate green beading breaking up the floral details, it has an added wearability that goes beyond Barbie viewing.

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The disco Barbie moment

The physical manifestation of “Come on Barbie, let’s go party,” this sequin-embellished gown is deliciously sassy. With a disco-leaning gold tone and a dramatic length, it could very well double as Robbie’s bedazzled costume in the film’s highly-anticipated dance sequence.

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The Barbie-stamped tote bag

You gotta love a tote bag. Optimal storage. Sturdy shoulder straps. Timeless, errand-friendly design. This iteration, emblazoned with the hot pink Barbie logo, will live on as an emblem of 2023 pop culture. (Not to mention, it’s kinda perfect for sneaking snacks into the movie theatre.)

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The preppy Barbie mini-dress

This pink houndstooth dress takes the doll’s classically preppy image to new heights. Made with a lightweight material, it keeps you cool in the summer while its structured silhouette accentuates curves in all the right ways. It’s the perfect choice for a Barbie-approved night out.

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The post What to Wear to the <Em>Barbie</Em> Movie appeared first on FASHION Magazine.

RELATED: Barbie Is Not Anti-Man at All, Actually

Alongside Margot Robbie clad in impeccable vintage Chanel outfits as the main character Barbie, Kate McKinnon’s Weird Barbie is the antithesis of an aspirational doll. Her roughly chopped hair juts out in every direction. Her face is tattooed with squiggly colourful pen marks. She wears paint-splattered clothes, she’s permanently in the splits, and she smells like “basement” (make of that what you will). Living in a lopsided house on the fringes of Barbie Land, Weird Barbie is a local outcast because, well, she’s no longer perfect.

Compared to the other Barbies, whose costumes often stayed true to the Mattel catalogue, Weird Barbie’s style is…experimental. She wears two chaotically clashing ensembles: a puffy pink dress with a bright tulle hemline and yellow snakeskin boots during the first half of the movie, and a jacket with silver detailing and kaleidoscopic trousers in the second act. Unlike the cookie-cutter dolls, Weird Barbie’s aesthetic was described by costume designer Jacqueline Durran as “very high fashion and conceptual.” Playing with exaggerated proportions and loud colour blocking, her wardrobe looks like it was dreamed up by a child. It’s also reminiscent of something you might find on a fanciful couture runway. Visually, she’s hard to understand, so the other Barbies write her off. But her character — and everything she represents — is crucial.

The thing is, even though she’s seen as “ugly” (the worst imaginable insult if you’re a Barbie), she’s the doll with the most critical thinking skills, foresight, and knowledge of the real world. After being socially discarded for losing her once-ideal image, she’s gained wisdom that helps the other Barbies navigate the film’s conflicts. Not to mention, she’s the only doll not to be brainwashed when (spoiler!) the villainous Kens briefly take over. Despite making her a reject, her kookiness makes her great. The same goes for all the mangled Barbies lost in basements.

Weird Barbie is so much more than a doll you light on fire as a kid drunk with power. Branded in the film as a toy that has been played with “too hard,” she’s emblematic of childhood whimsy. “It’s imagination,” McKinnon said in an interview discussing the process of mutilating a doll. “It’s a way of expressing your innermost desires and things that you’re exploring about yourself and the world.” At her core, Barbie bears the built-in expectations of womanhood: impossible body proportions; an always-amazing sense of style; effortless popularity. Tossing her in the microwave and dunking her hair in Wite-Out is certainly one way of pushing back on those pressures.

After all, we’re all closer to being Weird Barbie than Stereotypical Barbie. Her experiences — feeling like you don’t belong, being ostracized for your differences, blurting out awkward comments at the wrong time — are gloriously relatable, unlike Barbie’s commercialized image. Weird Barbie, in all her “unladylike” traits, is a symbol of rejecting beauty norms and framing femininity on your own terms. In the film, she’s been received as an allegory for those who have intersecting identities — with some women who are queer, plus size, and neurodivergent sharing that they feel a kinship with her.

Ultimately, every Weird Barbie is deeply personal. She’s not just some rare collector’s item like Allan or Midge. No one buys a Weird Barbie, you make her. She’s the manifestation of unbridled creativity, a dash of frustration, and, yeah, a bit of freakiness. The Barbie movie invites us not only to reconcile with the doll we once disfigured and tossed aside, but to also find her in ourselves.

The post Justice for Weird Barbie appeared first on FASHION Magazine.

Surprise! After months of mounting anticipation and intentionally plot-evasive marketing, it turns out the Barbie movie is not just a fashion-filled romp about the power of pink. It is sort of that, but it also presents pretty thoughtful commentary on gender dynamics. And this has made some people very upset. Enter: the Barbie movie backlash.

RELATED: Ryan Gosling Was Born To Play Ken

Within less than a week of its release, Barbie has been criticized by conservative commentators for unfairly targeting men. Piers Morgan called it “an assault on not just Ken but all men.” Ben Shapiro went viral for setting dolls on fire in an angry response to the film. Amid the Barbie movie backlash, a narrative has emerged that Greta Gerwig’s adaptation is overly “woke,” a form of “propaganda” and, most consistently, “anti-man.”

The thing is, in Barbieland, the Kens don’t really matter. They’re not mistreated, but their happiness hinges on the approval of the Barbies — who have all the jobs and decision-making power. Of course, the “women rule!” ethos of Barbieland is entirely fictional. The film’s depiction of this life-in-plastic society is based on the canon Mattel created specifically to appeal to little girls. In the real world, nothing works that way. That’s kind of the point.

The film follows Barbie (Margot Robbie) and Ken (Ryan Gosling) as they venture into reality and learn what it’s like in a place where men hold economic, social and political power. In other words: the patriarchy. Barbie feels suddenly uneasy and experiences self-consciousness for the first time. Within her first few minutes there, she’s catcalled, harassed and even assaulted. Ken, on the other hand, is imbued with a sense of authority and respect. The emphasis on this dichotomy isn’t “anti-man,” it’s just honest. Under patriarchal systems, women are actively put in danger — just look at the state of reproductive healthcare.

With a great first impression of the patriarchy, Ken brings the idea back to Barbieland. The Kens seize power, turning the Barbies into cheerleaders who give foot rubs in maid uniforms. Through this plot line, Barbie uses comedy — and absurdist fashion — to capture the trappings of toxic masculinity. Ken dons two pairs of sunglasses, a tasselled leather vest, an offensively large faux fur coat, and a sweat-absorbing bandana affixed to his bleach-blonde hair. He picks up an obsession with horses and turns Barbie’s dream house into a ranch-themed bachelor pad.

In his newfound position of power, Ken is literally padding himself to feel bigger and stronger. Deep down, he still has insecurities and uncertainties — he’s simply more equipped at hiding them now. This culminates with Ken having an existential crisis, leading him to want to figure out who he is. Ultimately, he has to confront the societal expectations of him as the “perfect” boyfriend he was created to be. Just like Barbie is tied to stereotypical standards, so too is the six-pack-bearing Ken.

Barbie points out the harmful gender roles put on men and women alike. This is an idea that feminist author bell hooks famously honed in on, noting how the patriarchy teaches boys to suppress their feelings, deny pain and conform to a restrictive ideal of what men should be. In satirizing these characteristics, the Barbie movie sends a clear message: As a man, you don’t need to inflate your masculinity to be worthy. You’re (k)enough.

In an interview with The New York Times, Gerwig responded to the conservative Barbie movie backlash. “My hope for the movie is that it’s an invitation for everybody to be part of the party and let go of the things that aren’t necessarily serving us as either women or men,” she said. Sure, Ken is a little two-dimensional. But the irony here is that he’s playing the archetypal “bimbo” character that women have been relegated to for decades. Nevertheless, the film takes time to investigate Ken’s villainous arc through a raw (and camp!) ballad. It portrays the harm that comes from the traditionally masculine pressures of repressing emotions. It even positions the overlooked, sensitive Allan doll as a quasi-hero and fan favourite.

In the end, Barbie doesn’t present solutions for real-world gender disparities. But does it have to? The movie offers a joy-filled viewing experience chock full of plot holes, cartoon visual embellishments and inexplicable outfit changes. Still, it manages to pack a meaningful punch about masculinity in today’s culture. After all, life in plastic isn’t always fantastic.

The post <Em>Barbie</Em> Is Not Anti-Man at All, Actually appeared first on FASHION Magazine.

RELATED: 13 Fragrances and Candles That Smell Like a European Vacation

What do fruits have to do with it? Is it just code for being sunburnt? These are reasonable questions. But #tomatogirl — like many of the reigning trends du jour — evokes a specific type of aspirational dressing.

Inspired by the juicy produce on the coast of Italy, the style encapsulates the laid-back energy that comes from summering in Europe. With over six million views on TikTok, the tomato girl trend is full of linen separates, vintage gold jewellery, and cobblestone-friendly sandals. Its palette contains delicate embroideries inspired by Italian tableware, soft warm tones, gingham patterns and food-related motifs. It’s the silk scarf you’d tied in your hair to stroll around the piazza enjoying a generous scoop of pistachio gelato. It’s the white-on-white set you’d wear to eat a steaming plate of spaghetti pomodoro without ever worrying about getting a stain. It’s the personification of taking the time to set the dinner table or linger in a jewellery shop.

At its core, tomato girl is about dressing not for the life you have, but the life you want. This idea has been at the forefront of pop culture for some time. Last year, millions flocked to the coastal grandmother aesthetic to channel the essence of a retired Diane Keaton character who resides on the beach and is perennially swathed in cream cardigans. In the spring, quiet luxury dominated pop culture because of its alluring ability to make everyone feel like an anonymous member of the one percent. Most recently, Sofia Richie’s minimalist, two-toned wardrobe has become the most emulated style of the season. This is not only because it’s chic, but because its clean lines, sharp tailoring and versatile uniformity communicate a certain kind of laid-back existence that money can buy.

Needless to say, times are tough. Tomato girl summer, in all its vivacious airiness, is the sunny weather sartorial equivalent of experiencing a life without worry. Some have hailed it as a revolution; a way to embrace slow living and prioritize peace of mind in a decidedly uncertain era. After all, in this realm, your biggest obstacle is carrying your bounty from the farmer’s market. But really, this ethos is nothing new. Tomato girl — like quiet luxury and coastal grandmother — encourages just the right amount of self-indulgent delusion. Sure, a Mediterranean getaway may not be in the cards right now. But who says you can’t dress like it is?

Below, FASHION has curated staple pieces for living la dolce vita, no plane tickets required.

Banana Republic Bria Linen Midi Skirt

The lightweight midi skirt is a staple to any tomato girl’s wardrobe. This breathable option from Banana Republic is both airy and romantic, with simple pull-on styling and a subtly flared A-length silhouette. Bonus: It has pockets.

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Riiqiichy Head Scarf for Women

Every Italian getaway needs a silky soft scarf. This embroidered gem can be fastened as a hair accessory, a tube top or a neck-tie accessory. Not to mention, the elaborately detailed pattern looks like it was plucked right from a set of heirloom dishes.

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Free People Oasis Printed Midi Dress

Meet the perfect tomato girl dress. This flowy frock is both effortless and artistic, thanks to its breezy shape and ruffled embellishments. The smocked-waisted and exaggerated sleeves create a romantic appeal, while the delicate wild floral pattern is ideal for the coast of the Mediterranean sea.

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Dollger Oversized Square Sunglasses for Women

These retro frames — which are large enough to cover your eyebrows — add to the mystique of an Italian gallivant. For the full Dolce Vita effect, throw them on with a satin scarf secured to your head just so. Tanya Mcquoid from The White Lotus would surely approve.

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Mejuri Victory Winged Coin Pendant Necklace

This vintage-inspired pendant necklace looks like a dainty treasure you’d find in a tucked-away Italian jewellery shop. Handcrafted in 18k gold vermeil, it’s made to last long beyond your fictional getaway.

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Sleeper Check-Print Lounge Set

Nothing says peace of mind like a breezy matching set. With a white and red check print design, this shirt-and-shorts combo by Sleeper is reminiscent of an outdoor dining tablecloth. While breezy and comfortable, the ruffled hems add a sophisticated flare that presents the perfect opportunity for accessorizing.

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Teva Women’s Hurricane Drift Sandal

Sure, tomato girl is a fantasy. But that doesn’t mean it can’t also involve practical footwear. Any hours-long cobblestone walk will teach you to prioritize comfortable shoes, and these lightweight, white sandals for Teva are the perfect colour palette and design.

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Etsy Dainty Tomato Huggie Earrings

Tomato. Earrings. Need we say more? These handmade accessories are small enough to feel subtle with a vibrant red hue that accentuates warm-toned outfits in all the right ways. Plus, the gold hoop detailing gives them an added vintage charm.

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Uniqlo Linen Blend Open Collar Short Sleeve Shirt

Perfect for providing sun protection on a hot day, this lightweight linen collar short-sleeve top can be layered over a tank, paired with a dress or styled on its own for an overall breezy ensemble. Light and airy, it’s the must-have staple for any coastal outing.

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ASOS Design Curve Off-Shoulder Cotton Maxi Dress

An off-the-shoulder gingham dress is possibly the best choice for a day spent seaside. With puffed sleeves and ruched bust detailing its dreamy, lightweight silhouette is complemented by a lively pink and orange colour palette. Perfect for picking out fresh fruit, no?

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The post The Tomato Girl Aesthetic Is About Dressing For the Life You Don’t Have appeared first on FASHION Magazine.

RELATED: What To Wear to the Barbie Movie

On paper, these two films have absolutely nothing in common. Barbie is a candy-coated romp following the iconic Mattel doll as she navigates the real world. Oppenheimer is a brooding biopic centred on the man who oversaw the development of the atomic bomb. Marketing for the latter begets serious portraits of the pensive main character puffing on a pipe, while the former serves up hyper-saturated posters of Barbie laughing in a hot pink convertible. In any logical world, these projects — starring Cillian Murphy and Margot Robbie, respectively — have no business coming together. But this isn’t a “logical” place, it’s the internet.

Coined by extremely online fans, Barbenheimer celebrates the two much-anticipated flicks — with duelling themes and contrasting aesthetics — as an epic double feature and unsuspecting fashion collab. Artists have created movie posters that seamlessly merge the universes together. Custom T-shirts are hitting the market, featuring bombs in cartoonish illustrations and two-toned pink and black colour palettes. And the movies are in on it, too. At Oppenheimer’s London premiere, Cillian Murphy confirmed that he would “of course” be seeing Barbie. When giving an interview on the pink carpet, Issa Rae shared her viewing plans: Oppenheimer, then Barbie, then mimosas. It’s not a question of whether you’re seeing Barbie or Oppenheimer. It’s: In what order are you seeing them?

On the red carpet, the films’ fashion couldn’t be more at odds. Barbie painted the world pink through a viral press tour of sparkles, saturation and bubble gum brightness. Oppenheimer has been a subdued sartorial affair, with Murphy’s array of dark suits dubbed the “Anti-Ken.” And yet, Barbenheimer has emerged as the trending aesthetic du jour.

Hot pink and black. Mini-dresses and edgy co-ord sets. Light blush and severe eyeliner. Barbenheimer is not just a buzzword, it’s a magical melding of competing visual narratives. It’s Nicola Coughlin’s campy Met Gala dress. It’s Paris and Nicki Hilton missing each other’s memos on a 2000s red carpet. It’s a tough-looking leather loveseat with a surprisingly pink cushiony interior.

A pervasive myth of personal style is that you have to be consistent. If you stay true to certain aesthetic confinements, that means you know who you are, or so the messaging goes. Barbenheimer — in all its chaotic clashing — requires mix-and-match experimentation. Slip some fishnets on under your sparkly going-out dress. Pair a black cowboy hat with your western Barbie boots. Throw on some chunky Doc Martens to offset your bubblegum bomber jacket. There’s no thematic cohesion, just impossibly good taste.

Sure, a world-threatening explosion and a roller-skating outing have very different stakes. But herein lies the multifaceted beauty of humans. Unlike Barbie, we can’t all be upbeat every day. And who wants to be perennially dressed for the end of times? Barbenheimer, in all its delicious contradictions, allows for that duality. Happy viewing.

This article contains affiliate links, so we may earn a small commission when you make a purchase through links on our site at no additional cost to you.

The post Barbenheimer Is the Definition of Good Taste appeared first on FASHION Magazine.

RELATED: How to Achieve the Quiet Luxury Look On a Budget

Below, we present the best outfits of the season, plus how to achieve them yourself.

Ariana Grande

Instead of serving sporty vibes, the singer went viral over the weekend for her refined minimalist ensemble. While sitting in the crowd, she embodied the overcast weather of the London locale in a tonal grey cashmere sweater and matching flared skirt from Ralph Lauren. She finished the look with a Wimbledon baseball cap and a pair of avant-garde Loewe heels for an elevated take on tennis match fashion.

Get the look:

Take a page from Grande’s book and opt for an all-grey A-line silhouette for your next tennis match. May we suggest this pullover design by Mango? It has a ribbed fabric with a subtle flare skirt that hits the ankle just so — making it the optimal cozy-meets-chic option for any court-side viewer.

Buy it here: Mango Rib-Knit Boatneck A-Line Dress, was $89.99, now $44.96

These days, slightly weird footwear is always in season, and these toy pumps by Loewe fit the bill like none other. With a lustrous finish, a square-toe design and a sculptural heel, they are key to modernizing an otherwise old-school preppy ensemble.

Buy it here: Loewe Toy Leather Pumps, $1,560

We love a high-low queen! While the singer went luxury with her footwear, she chose beloved (and accessibly priced) Canadian jeweller Mejuri for her earrings, wearing a pair of gold vermeil and freshwater pearl hoops.

Buy it here: Bold Pearl Trio Hoop Earrings, $128

A must when watching any outdoor match, the humble tennis cap communicates that while you may be fashionable, you also know sports. This unisex design comes in 14 colours, but we suggest opting for white to emulate Grande’s crisp styling.

Buy it here: ’47 Unisex-Adult Baseball Cap, $39.99

Kate Middleton

No one does Wimbledon dressing quite like Kate Middleton. With her signature polished tailoring and streamlined silhouettes, the Princess of Wales embodies the formal daywear dress code of the world famous event. This season, she stood out in an assortment of green ensembles, including the Roland Mouret emerald dress with playful pleating she wore on July 16. Always thoughtfully accessorized, she completed the look with square shades and a pair of Gianvito Rossi suede heels. Sure, it may seem like a daring footwear choice for an outing involving grass, but if anyone can make it work, it’s a seasoned on-the-court attendee like Middleton.

Get the look:

There is so much possibility in a midi dress. The devil is in the details with this fresh green design, which features flutter sleeves, front-and-centre ruching and a subtle back slit. It may not be an exact replica of Middleton’s get-up, but it achieves the same thing: innovating a tried and true silhouette. Not to mention the fun colour.

Buy it here: ASOS Linen-Look Flutter Sleeve Midi Dress, $88

These pointed-toe stilettos come in a leather lining and a soft-pink suede outsole. With a 3.25-inch heel, they’ll take you from work to a patio to — if you’re wild like Kate — a tennis court. And they’re on sale.

Buy it here: Jimmy Choo Pink Romy 85 Pumps $880, now $528

Emma Corrin

The high socks. The brown leather loafers. The billowing, boxy silhouette. At Wimbledon, Emma Corrin’s outfit took the traditional aspects of preppy attire and reinvented them. The actor, who identifies as non-binary and uses they/them pronouns, pulled up to a tennis match on July 6 in a pale yellow oversized short suit by Ralph Lauren with a Miu Miu handbag and pair of sunnies. Debuting a bleached buzzcut and playing with oversized proportions, their androgynous take on the classically masculine style was the perfect play on Wimbledon tradition.

Get the look:

Take it from Corrin, everyone needs a summer suit. This set by Aritzia melds the oversized comfort of the actor’s Wimbledon ’fit with polished tailoring for everyday wear. The single-breasted blazer features a notched lapel, pockets and structured shoulder pads, while the high-waisted shorts offer an elastic waistband and a gloriously wide-leg fit.

Buy it here: Wilfred Milestone Blazer, $228; Wilfred Alanya Short, $98

We know, we know. Socks? Trust, when you’re looking to perfect the art of the androgynous suited sets, they make the outfit. These high-rise dress socks by La Dearchuu are made with premium cotton and provide breathability for hot summer days. Plus, they come with six pairs!

Buy it here: La Dearchuu Men’s Dress Socks Rib Cotton Solid Crew Socks, $23

Jourdan Dunn

Looking chic from head to toe, British model Jourdan Dunn put a summery spin on the minimalism of the moment in a yellow-on-yellow ensemble. Sporting a Ralph Lauren cable knit crewneck, a lightweight satin skirt and pair of white open-toe pumps, her street style-worthy look was the perfect balance between being weather-minded, tennis-appropriate and just plain cool.

Get the look:

With the iconic Ralph Lauren design, this crewneck has added shoulder button-up detailing that makes it feel fresh. With classic ribbed cuffs and a relaxed fit that subtly hits the hips, it is the only sweater you’ll actually want to wear in the midst of high summer temps.

Buy it here: Lauren by Ralph Lauren Aran-Knit Button-Shoulder Cotton Sweater, was $191, now $132

This maxi skirt is not only alluring because it reminds us of lemonade, but its flowy terry fabric is extremely versatile. Made with a subtle waist-accentuating fit, it takes you from the beach to a seat on A-list-filled bleachers.

Buy it here: Musier Paris Levant Skirt, $168.73

The slip-on kitten heel is a summertime saving grace. This white square-toe pair by Tony Bianco is great for day or night, thanks to its elevated buckle detailing and timeless design. Wear it with a breezy suit or style it with a vibrant monochrome skirt set, à la Jourdan Dunn.

Buy it here: Tony Bianco Asar Sandal, $237.76

Jonathan Bailey

Who doesn’t appreciate a commitment to linen? At the men’s singles final match, the Bridgerton actor sported a breathable three-piece Purple Label design by Ralph Lauren (notice a theme?). In a sea of other neutral menswear suits (as seen on Andrew Garfield and Nick Jonas), Bailey stood out thanks to his jacket’s interesting tie-up detail, his perfectly anonymous sunglasses and his sheer giddiness sitting alongside Wicked co-star Ariana Grande (see below).

Get the look:

Eyewear protection is key for outdoor sports spectatorship. Sticking to Bailey’s Ralph Lauren theme, this pair comes in a gradient gold-to-brown lens that’s ideal for a summer day. Plus, they’re prescription-friendly!

Buy it here: Ralph by Ralph Lauren Polarized Aviator Sunglasses, $106.17

These tailored linen pants are the embodiment of quiet luxury. With a concealed front fastening, refined straight-leg cut and mid-rise fit, they’re both breezy and professional. In the heat of the summer, they’re sure not to overheat you — and that’s a selling point in and of itself.

Buy it here: Conscious Sandro Trousers, $425

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The post What the Best-Dressed Celebrities Wore to Wimbledon appeared first on FASHION Magazine.

RELATED: Are Women Not Allowed to Age?

On TikTok, the “Aging” filter — which has over 10 billion views on the app — uses artificial intelligence to predict what you might look like in the future, showing users with sagged cheeks, thinned lips, fine lines and even yellowed teeth. And over the past week, the effect has become an agent of digital chaos.

At first, the filter set off something of a collective existential crisis. It has inspired panic-induced applications of sunscreen, intensified emphases on skincare regimens, and advice on procedures to “age as gracefully as possible.” It’s even prompted therapists to weigh in with advice on mitigating aging anxiety. This shock factor was most likely intended. Age-related filters reportedly do consistently well on TikTok, and it’s easy to see why.

Earlier this year, the “Teenage Look” filter went viral on the app. Unlike “Aging,” the effect smooths fine lines, softens complexions and shows people a simulated version of their high school selves. But even that trend sparked similar dread, with users pointing out how the filter’s nostalgia made them more aware of their own mortality. Both filters — while seemingly opposites of one another — exemplify our fear-fuelled obsession with marking our age, whether we’re looking back or looking ahead. The impacts reach beyond the internet, as plastic surgeons have reported a rise in patients asking to look like filtered selfies.

No matter what artificially enhanced version of yourself is reflected back at you, TikTok filters are always a bit jarring. So when we engage with them, it’s usually helpful to remember that they’re not real. But the “Aging” filter — which has been dermatologist-approved for its accuracy — presents a new kind of challenge, because it’s not so far-fetched.

Unsurprisingly, the TikTok aging filter has exposed a horror-filled knee-jerk reaction, with users like Kylie Jenner expressing their distaste for a look at their face with considerably less collagen. (She later wrote “she’s cute” in the comments.)

At the same time, a sense of appreciation has emerged. Hailey Bieber and Mia Khalifa noted similarities to their grandmothers. A smiling Amy Poehler got in on the trend with the short but impactful caption reading, “May I be so lucky.” Users are lovingly remarking on how they look like the older women in their lives. There have been makeup tutorials with the filter on. Some have even positioned it as a version of themselves to aspire to, with one user writing, “I can’t wait to meet her.”

Over the past few days, my feed has shifted to people embracing their elderly digital selves. Peppered between posts of fashion micro-trends or videos about the Barbie press tour are visual odes to aging, with the buzzy filter as a prompt. In some ways, the very image of growing old has become its own kind of trend.

More and more, it seems we’re in a time of aging dichotomy, where growing older is embraced at a performative level, but not always a genuine one. Julia Fox can declare that “aging is fully in,” while Kim Kardashian unapologetically says she’d “eat poop” to look young. We praise Martha Stewart for her youthful glow in a swimsuit photoshoot while ridiculing Madonna for her obvious cosmetic procedures. Women over the age of 45 are being increasingly recognized in Hollywood, while the stars of And Just Like That… continue to face endless flack over their appearances.

In 2023, the discourse on anti-aging hasn’t disappeared; it’s just reinvented itself in sneakier ways. Take the idea of ageing gracefully. “What makes ‘aging gracefully’ a particularly nefarious euphemism for anti-aging is that it implies anti-aging should appear to be effortless,” argues beauty writer Jessica DeFino in her newsletter The Unpublishable. “‘Aging gracefully’ is not effortless, though — it demands an incredible amount of effort and then demands even more effort to disappear the evidence of said effort.” The mainstream idea is still that there’s a right way to age. But the virality of the Aging filter, with its emphasis on so-called imperfections, inadvertently challenges that.

If nothing else, it’s offering algorithmic visibility to growing older. (I, for one, have never seen so many celebrities age at once.) Ageist beauty standards are probably not going anywhere anytime soon. But maybe the TikTok aging filter, with its baked-in inevitably of how we’ll look years down the line, can be a start. And even if our acknowledgement of aging is happening through a filter, it feels pretty radical.

The post Could TikTok Be Responsible For a <em>Positive</em> Shift in How We View Aging? appeared first on FASHION Magazine.

RELATED: Margot Robbie’s Transformation Into Barbie Is Officially Complete

President Barbie has been around since 1992, with Mattel releasing new iterations of the doll over the years. And like everything in the franchise’s plastic universe, it’s a pretty glitzy gig. It’s also decidedly low-stakes, with responsibilities like adding cherries on top of sundaes. (Delicious and important!) For the live-action film, Rae helped envision President Barbie’s costume: a ballgown and a pageant-ready sash that reads “President” in bubble letters. “It was tapping into who six to eight-year-old me thought a female president would look like, and living in that world really informed how I played the president,” she told Teen Vogue.

So it should come as no surprise that to promote the film, Rae and her stylist Wouri Vice have been treating the press tour as a glam-filled campaign trail. She’s been giving presidential waves, donning coordinated sets, and of course, wearing a lot of pink — even though she hates the colour. That’s a sacrifice in the name of public service.

At the film’s world premiere in Los Angeles on July 9, Issa Rae was in true President Barbie form. While gesturing a classic crowd-facing wave on the pink carpet, she wore a custom floor-grazing Marc Bouwer gown with a plunging chest cutout, structured shoulders and a statement bow detail. The bicep-bearing design reportedly took inspiration from Michelle Obama, and the regal velvet fabric further commanded a powerful presence.

A few days later, at the Barbie premiere in London, Issa Rae stepped out in two striking looks. For the screening itself, she wore a hot pink mini dress with a structured bodice and a dramatically ruched leg slit. Later, at the photocall, she emerged in a ’60s-inspired PatBo dress with a multicoloured swirling design and long green feather trim. It’s a retro look that would undoubtedly make Jackie O proud.

Her other London outings emitted reimagined preppy style. On July 12, she wore a high-waisted pink leather miniskirt with a white tank top and matching sunglasses. Later that day, she changed into a midriff-bearing two-piece set with bedazzled buttons by Self-Portrait. She commemorated the leg of the press trip with an Instagram post captioned, “This Barbie is on strike,” a reference to actors joining the ongoing writers’ strike in Hollywood. Amazing styling and a show of solidarity with her constituents? A well-rounded presidential slay. And just one of many.

 

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Last month, while in Australia, she leaned into power suits, with a structured multicoloured blazer dress, a neon slouchy suit, and a bright monochrome ensemble that featured an oversized frilly bow in place of a tie.

For the Barbie celebration party in Sydney, she opted for a Givenchy maxi dress, with a sheer design and a slip underneath. This seamless wardrobe shift encapsulates the essence of the Mattel-made president. After all, when you’re the leader of Barbie Land, your duties are saccharine instead of severe — and the same goes for your outfits.

That’s not to say some of her looks haven’t been more conservative. Kicking off the press tour at a Beverly Hills photocall in June, her monochromatic cream-coloured ensemble — comprising wide-leg pants and a matching top à la quiet luxury — stood out as a relaxed interpretation of the traditional buttoned-up pantsuit. From mini-dresses to sophisticated separates, Issa Rae’s sartorial take on Madam President captures what would happen if leading a country was all about throwing impromptu dance parties and decorating frozen desserts. In other words: No dress code, just vibes.

Sure, it may not all fly in the actual Oval Office. But that’s neither here nor there. This Barbie is a President! And she has our vote.

The post Issa Rae Is the Perfect Barbiecore President appeared first on FASHION Magazine.

RELATED: The Most Exciting Street Style At Fall 2023 Couture Week in Paris

Across the French capital, celebrities came dressed to the nines as designers presented elaborate craftsmanship. At the same time, nationwide protests were raging following the police killing of Nahel Merzouk, a 17-year-old boy of Algerian and Moroccan descent. Some thought the shows shouldn’t have even taken place. Couture, after all, represents the highest levels of wealth, privilege and excess in fashion. At the same time, as the greatest form of clothing expressionism, it reliably reflects the culture. Perhaps that’s why this season we saw a theme of subtle, understated artwork as opposed to flashy over-the-top spectacles. From an emphasis on artificiality to a shocking amount of deceivingly casual designs, this season’s couture collections — whether intentionally or not — took on a deeper meaning. Below, FASHION rounds up the most noteworthy moments from the week.

Chanel: The French girl has entered the chat

Is any fashion figure more aspirational than the archetypal Parisian woman? Her streamlined tailoring, casual pairings and perfectly tousled hair have long been the subject of admiration. And no entity captures her essence better than Chanel. Effortless Frenchness pulses through the brand’s identity, and its latest couture collection was an ode to that image. Models traded luxe handbags for straw baskets of flowers and strolled around cobblestone streets with seemingly nowhere to go. Wearing flats or Mary Janes, they sported classic silhouettes with tweed separates, floral patterns, and the je ne sais quoi coolness that defines the French girl aesthetic.

Thom Browne: Now that’s a power suit

Known for his ability to deconstruct and reimagine the elements of a classic suit, American designer Thom Browne marked his first couture show by leaning into what he does best: theatricality. In front of an audience of 2,000 cardboard cut-outs, Browne sent models down the runway in clown-like makeup, swollen sleeves and optical illusion jackets. Each look was accompanied by an equally astonishing headpiece, from hoisted-up hairdos to a Carrie Bradshaw-esque pigeon hat.

Balenciaga: Time to armour up

It’s been a difficult year for Balenciaga. After undergoing a viral controversy in November 2022, the brand has been slowly making its return by moving away from gimmicks and turning its focus to craftsmanship. Case in point: For the house’s latest couture collection, creative director Demna presented oil-painted canvases that resemble denim and coats that look permanently caught in the wind. The pièce de resistance? A 3D-printed metal-looking dress inspired by Joan of Arc. That’s one way to communicate hardened sensibilities.

Dior: Less is more

In an industry that’s racing for newness, there’s power in simplicity. Just ask creative director Maria Grazia Chiuri, who presented a pared-back interpretation of couture at Dior. Models walked in a sea of neutrals, with sophisticated silhouettes and modest tailoring. That’s not to say it wasn’t extravagant. The collection — which honed in on goddess imagery — was full of floor-grazing capes, intricate beading embellishments and shimmering sheers. A majestic take on minimalism, the collection gave refreshed meaning to quiet luxury.

Alexis Mabille: The glass half full

The image of a woman fluttering about a party armed with a cocktail evokes freedom, flirtiness and a certain non-commital charisma. This was the energy at Alexis Mabille’s couture collection, aptly titled “Mondaines,” a French word which can be loosely translated into “socialites.” The clothing was appropriately romantic, brimming with dramatic cutouts, all-exposing sheer dresses and slender silhouettes. To complement the grandness of the garments, models held champagne flutes, coup glasses and delicate goblets as accessories. Because, really, what’s more luxurious than walking around with an elegant drink in hand?

Viktor & Rolf: Most petty

Viktor & Rolf is not one to mince words. The avant-garde house is known to spell out sentiments, be it through literal phrases or theatrically staged designs. This season’s couture collection gave us both. Models walked with fake men in suits perched on their shoulders or straddling their torsos. Bows — big and small — adorned outfits like unwrapped gifts. Best of all was the series of swimwear with worded messages, including “Dream On,” “No,” and, to borrow the phrase used by Gwyneth Paltrow after winning in ski court, “I Wish You Well.”

Schiaparelli: Are you for real?

If last season’s viral faux animal head debacle taught us anything, it’s that Schiaparelli creative director Daniel Roseberry likes to push the envelope on what looks real. Roseberry is known to lean into Schiaparelli’s surrealist roots, and his Fall 2023 collection was yet another indication. Ensembles were full of enchanting fantasy, from spray-painted torsos to bronze body-part-inspired jewellery. And this time, by trading fake lion heads for fake arms, he avoided contentious confusion.

Valentino: Casual Friday

Opening a couture runway with a pair of jeans is certainly… a choice. Herein lies the genius of Pierpaolo Piccioli’s Valentino. Because upon closer inspection, these pants are actually made of silk gazar, hand-embroidered with intricate beadwork. Evoking the classic visual of day-off denim, the trompe l’oeil design skillfully juxtaposes the formality and prestige of couture. Model Kaia Gerber wore the look with a white button-up shirt and opulent chandelier earrings, which were a staple of the collection, along with floor-grazing gowns and airy fabrics. It was enough to warrant a standing ovation from Anna Wintour — an honour she’s reportedly only given five times in the past decade.

The post Thom Browne Makes His Debut + Other Viral Moments From Fall 2023 Couture Week appeared first on FASHION Magazine.

Update: The Maison Chloé announced on July 6, 2023 that creative director Gabriela Heart would indeed be stepping down after three years in the role. According to a press release, Hearst’s last collection for Chloé will be Spring/Summer 2024 and will be presented on September, 28 2023.

Fashion loves nothing more than change. It’s the reason trends are created, discarded and resurfaced years later with enough separation to feel totally new, or why rotating brands take the top spot every few seasons as bastions of all that is fresh and exciting. In an industry that functions on ideas, there’s an endless demand for innovation to keep things feeling, well, in vogue. But over the past few months, fashion’s accelerated penchant for shaking things up has given us whiplash. So here, we’re breaking it down.

RELATED: Fashion Is Going Through a Minimalist Vibe Shift

The creative director mass exodus

As the most important person in a fashion house, creative directors are the heartbeat of brands. Their decisions dictate a label’s cultural standing: from runway gimmicks to celebrity partnerships to viral controversies (more on that later). This is why it feels particularly jarring that so many of them are stepping down.

In November 2022, news that Alessandro Michele was leaving Gucci after nearly eight years sent shockwaves through the industry. But it’s since become just one piece of a larger trend. Raf Simons shuttered his namesake brand. Jeremy Scott exited Moschino. Tom Ford quit his eponymous label. Most recently, on June 5, news spread that Gabriella Hearst would reportedly be leaving Chloé after an impactful three-year tenure. Each month, the list has grown longer — accented by the untimely retirement announcement of top stylist Law Roach — sparking speculations as to whether there are industry-wide changes brewing behind the scenes.

And in some ways, there are. For starters, these shifts coincide with an aesthetic change of tides. In the age of resurfaced minimalism, recession core and quiet luxury, cultural tastes are different than they were even three years ago. Jasmine Kharazi (@jasminedarya), a content creator and fashion commentator, points to the head-spinning speed of TikTok trend cycles as one possible cause for the creative director shuffle. Amid changing attitudes, it’s a way to attract eyeballs. Case in point: When Gucci pivoted from Michele’s wildly popular maximalism to a Fall 2023 collection that felt intentionally pared down, it was not met with all rave reviews. But it certainly drew “what now?” anticipation.

Rebecca Halliday, an assistant teaching professor at the University of Victoria whose expertise includes the intersection of fashion and media, says the “musical chairs nature” of creative directors is actually nothing new. And for established figures like Ford and Michele, it makes sense. “There might just be a sense for those creative directors that their work with that particular fashion house is done, and they are ready to move on to the next project,” she says. Plus, maybe they’re just tired! Can you blame them? These days, “helming a brand is more gruelling than ever,” writes Leah Faye Cooper in Vanity Fair, citing expectations of seasonal reinvention, high-profile celebrity red carpets and the omnipresent pressure to go viral. Already, we’ve seen how the latter can take precedence over just about anything. This brings us to our next point.

Questionable comebacks

In 2021, this publication’s fashion news director Annika Lautens lamented the industry’s “problematic short-term memory” with respect to the re-embrace of Dolce & Gabbana, despite the brand’s racist and homophobic history. And in 2023, fashion’s tendency for such redemption arcs is increasingly obvious. Take Alexander Wang. Despite several allegations of sexual assault, the designer re-entered the New York Fashion Week circuit in February, with Julia Fox on the catwalk and Anna Wintour in the audience. The industry at large made not a peep.

Even more recent is Balenciaga’s return. In November 2022, the brand was shunned when it released a highly regrettable ad campaign accused of child sexualization. After a turbulent company response, a wave of TikTok furor, and a self-imposed break from the spotlight, mere months later, Balenciaga is back. Creative director Demna was at the Met Gala. Stars like Michelle Yeoh and Salma Hayek wore Balenciaga at the Cannes Film Festival. And with a newly released resort collection asserting that “the brand transcends its current predicament,” the industry has made space for Balenciaga’s redemption. To Halliday, this is not all that surprising.

“While social media facilitates the viral spread of outrage and conspiracy theories…the speed at which lines can come out with new campaigns or drops allows people to move on to the next collection, or the next outrage, even though the scandal lives on as an internet footprint,” she says. To Kharazi, these particular comebacks are an indication of shortened attention spans, specifically on TikTok. “To me, [this shows] that cancel culture, as good-intentioned as it might be, isn’t a good long-term strategy and clearly doesn’t work,” she says. And on the topic of recognition trumping worthiness…

Celebrities turned designers

Should famous people create clothing lines? It’s a contentious question — namely because it can result in lost opportunities for up-and-coming talent — but it’s something fashion loves to surface. Dua Lipa just teamed up with Versace to develop a line that premiered at Cannes. After announcing her new apparel brand, Angelina Jolie co-designed a capsule collection with Chloé. In September 2022, Kim Kardashian curated her own line — based on herself, obvi — for Dolce & Gabbana.

The appeal for brands is obvious: Having a celeb as a designer makes them synonymous with the label, as opposed to just another advertiser. “[There appears] to be an intention to work with someone who isn’t just of the moment but who really embodies the ethos and the aesthetic of that particular line,” says Halliday. (Dua Lipa has long been Donatella Versace’s muse; the controversial reputations of Kim Kardashian and Dolce & Gabbana are kinda complementary.) Though the merge of celebrity and fashion lines is not new, its increased ubiquity has raised eyebrows. “At best, the recent move toward hiring celebrity ‘designers’ highlights luxury’s growing desire to turn a quick buck off of a famous collaborator’s name rather than risk trying something (or someone) new,” argues Jake Silbert for Highsnobiety.

The bottom line

Today, fashion and pop culture are increasingly intertwined, says Kharazi. “People like me are able to gain a following from solely talking about these topics,” she reflects. “Fashion is changing rapidly, the news is changing rapidly, and pop culture is consumed faster than ever.” The aforementioned shake-ups may not be entirely novel, but they do mirror fashion’s current climate. In an era of economic uncertainty, social issues emphasized on a global scale and algorithm-based discourse at an all-time high, fashion has to find new ways to be political, says Halliday, just like it always has. Much of the industry’s startling “newness” isn’t so new after all — it’s just old cycles sped up. The question is, how much faster can it all really go?

The post What’s With All the Recent Shake-Ups in the Fashion Industry? appeared first on FASHION Magazine.

RELATED: The Most Exciting Street Style At Fall 2023 Couture Week in Paris

Arguably the most prestigious and exclusive event of the fashion calendar, couture week is brimming with exceptional craftsmanship, intricate details and ultra-VIP guest lists. It’s intense, and yes, a little ridiculous — and Cardi B revels in the silliness of it all. Since the couture Fall 2023 shows kicked off on July 3, Miss Belcalis Marlenis Almánzar (yep, that’s her real name!) has been in on the joke, while sporting extravagant ensembles with the help of her stylist Kollin Carter.

To be fair, in a post-Doja-Cat-covered-in-Swarovski-crystals world, no outfit at couture week is really that surprising. But Cardi B has managed to push the envelope by blending clothing with performance. Favouring body-hugging bodices, feathery mania and blinged-out accessorizing, the star continues to bring her Grammy-winning artistic presence to each new ensemble. Is there anything more couture than that?

To kick off the week, the 30-year-old rapper sat front row at Schiaparelli show in a custom ensemble. She walked up the steps of the venue in a voluminous feathered cape atop a long black dress embellished with the brand’s signature gold detailing. Layered bangles were stacked on her wrists, and dangling gold-plated ears served as avant-garde earrings. Appearing particularly avian-like, she extended out her arms while posing for pictures — like a bird ready to take flight.

A few hours later, Cardi B attended the Thom Browne runway presentation in a new, equally campy look. Wearing a tweed suit dress with decidedly conservative tailoring, she added Cardi-esque embellishments with a gold chain link belt, a clock-shaped handbag and a towering, view-obstructing headpiece. Seated front row between Diane Keaton and Anna Wintour, the “Money” rapper emitted the aesthetic ease of a well-do-to older woman, while bringing her penchant for revealing risk-taking into the mix. And you know what? It works!

Beyond publicized stops at fashion shows, her entire stay in the City of Light has been filled with couture-level fashion. On July 4, she headed out to do some light shopping in a head-to-toe Valentino catsuit and XL cape, as one does. Clearly, this is a woman who doesn’t bother conforming to trends. Minimalism is in, you say? She’ll take all the pattern-mixing, colour-blocking and exaggerated proportions she can get.

Case in point: The following day, Cardi B pulled up to the Balenciaga show in a frothy white feathered overcoat. The billowing garment was a statement in and of itself, but she later took it off to reveal the real star of the outfit: a sequin-covered bodysuit that extended into high-heeled boots (that’s right, they were on and the same). While posing with her partner Offset, her bow-shaped bag — which presumably served no real purpose, storage-wise — trailed down the Parisian sidewalk.

Shortly after this, she emerged in a patterned catsuit for the Jean Paul Gaultier show, complete with tattoo-like prints of suns, hands and chains. To complement the surrealist one-piece, she wore silver bangles, chunky chokers and industrial hoop earrings. As she emerged from her hotel to a crowd of photographers, Cardi B strutted slowly and twirled dramatically. From her blown-out hair to her symmetrically slit eyebrows, the look — and subsequent posing — encapsulated Cardi B’s commitment to crafting a memorable sartorial moment.

At this point, the artist is no stranger to going all out for the sake of fashion. Never forget the time she showed up to the 2021 AMAs in an avant-garde — if not kinda freaky — gold-plated Schiaparelli mask. At the 2023 Grammys, she offered a surrealist take on the hooded dress trend in a sculptural Gaurav Gupta Couture gown. Most recently, at this year’s star-studded Met Gala, she was arguably the best dressed after stepping out in not one or two, but four completely different outfits that all met the Karl Lagerfeld-themed dress code. Cardi B will go to great lengths for a style moment. And the Paris couture Fall 2023 shows are the greatest indication yet.

The best part? She dresses like nobody’s watching. She’s not trying to hit the most serious pose for every angle. She’s relishing in the fun of fashion while taking risks that feel true to her personality. To borrow her wording, she’s never regular, degular or schmegular. Cardi B is a fashion girl through and through.

The post No One Is Having More Fun Than Cardi B at Couture Week appeared first on FASHION Magazine.